Author:Flannery O'Connor
American author of two novels and several short stories
Works[edit]
Novels[edit]
- Wise Blood (1952)—Copyrighted in the United States until 2048 due to Renewal RE076241
- The Violent Bear It Away (1960)—Copyrighted in the United States until 2056 due to Renewal RE393909
Short story collections[edit]
- A Good Man Is Hard to Find and Other Stories (1955)—Copyrighted in the United States until 2051 due to Renewal RE188291
- Everything That Rises Must Converge (1965)—Copyrighted in the United States until 2061
Thesis[edit]
Individual short stories (by date of publication)[edit]
- “The Geranium” (1946) (published in The Accent, volume 6, number 4)
- First published in The Geranium: A Collection of Short Stories:
- “The Barber”
- “Wildcat”
- “The Crop”
- “The Turkey” (later republished as “The Capture”)
- “The Train”
- “The Heart of the Park” (published in the February 1949 issue (volume 16, number 2) of the Partisan Review, 1949)—Copyrighted in the United States until 2045 due to Renewal R637619
- “A Woman on the Stairs” (1949) (later republished as “A Stroke of Good Fortune”) (published in Tomorrow, volume 8, number 12)
- “The Peeler” (1949) (published in the Partisan Review, volume 16, number 12)
- “Enoch and the Gorilla” (published in the April 1952 issue (volume 1) of New World Writing, 1952)—Copyrighted in the United States until 2048 due to Renewal RE0000074897
- “The Life You Save May Be Your Own” (published in Spring 1953 issue (volume 15, number 2) of the Kenyon Review, 1953)—Copyrighted in the United States until 2049 due to Renewal RE0000077703
- “The River” (published in the Summer 1953 issue (volume 61, number 3) of the Sewanee Review, 1953)—Copyrighted in the United States until 2049 due to Renewal RE0000082603
- “A Good Man Is Hard to Find” (published in Modern Writing I, 1953)—Copyrighted in the United States until 2049 due to Renewal RE109038
- “A Late Encounter with the Enemy” (published in the September 1953 issue (volume 87, number 9) of Harper’s Bazaar, 1953)—Copyrighted in the United States until 2049 due to Renewal RE0000103397
- “A Circle in the Fire” (published in the Spring 1954 issue (volume 16, number 4) of the Kenyon Review, 1954)—Copyrighted in the United States until 2050 due to Renewal RE0000117685
- “A Temple of the Holy Ghost” (published in the May 1954 issue (volume 88, number 5) of Harper’s Bazaar, 1954)—Copyrighted in the United States until 2050 due to Renewal RE0000139196
- “The Displaced Person” (published in the Winter 1954 issue (volume 62, number 4) of the Sewanee Review, 1954)—Copyrighted in the United States until 2050 due to Renewal RE0000122343
- “The Artificial Nigger” (published in the Spring 1955 issue (volume 17, number 2) of the Kenyon Review, 1955)—Copyrighted in the United States until 2051 due to Renewal RE0000154545
- “Good Country People” (published in the June 1955 issue (volume 89, number 6) of Harper’s Bazaar, 1955)—Copyrighted in the United States until 2051 due to Renewal RE0000179229
- “You Can’t Be Any Poorer Than Dead” (published in the October 1955 issue (volume 8) of New World Writing, 1955)—Copyrighted in the United States until 2051 due to Renewal RE0000195122
- “Greenleaf” (published in the Summer 1956 issue (volume 18, number 3) of the Kenyon Review, 1956)—Copyrighted in the United States until 2052 due to Renewal RE0000193150
- “A View of the Woods” (published in the Fall 1957 issue (volume 24, number 4) of the Partisan Review, 1957)—Copyrighted in the United States until 2053 due to Renewal RE0000257057
- “The Enduring Chill” (published in the July 1958 issue (volume 91, number 2960) of Harper’s Bazaar, 1958)—Copyrighted in the United States until 2054 due to Renewal RE0000313301
- “The Comforts of Home” (published in the Fall 1960 issue (volume 22, number 4) of the Kenyon Review, 1960)—Copyrighted in the United States until 2056 due to Renewal RE0000398138
- “The Partridge Festival” (published in the February–March 1961 issue (volume 19, number 4) of The Critic, 1961)—Copyrighted in the United States until 2057
- “Everything That Rises Must Converge” (published in the September 1961 issue (volume 19) of New World Writing, 1961)—Copyrighted in the United States until 2057 due to Renewal RE0000441443
- “The Lame Shall Enter First” (published in the Summer 1962 issue (volume 70, number 3) of the Sewanee Review, 1962)—Copyrighted in the United States until 2058 due to Renewal RE0000463457
- “Why Do the Heathen Rage?” (published in the July 1963 issue (volume 60, number 1) of Esquire, 1963)—Copyrighted in the United States until 2059 due to Renewal RE0000540022
- “Revelation” (published in the Spring 1964 issue (volume 72, number 1) of the Sewanee Review, 1964)—Copyrighted in the United States until 2060
- First published in Everything That Rises Must Converge:
Works about O'Connor[edit]
- Do You Reverse? (1932)
One or more copyright licenses apply to some or all works by this author.
Some or all works by this author are in the public domain in the United States because they were legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
- For Class A renewals records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
- For other renewal records of publications between 1922–1950 see the University of Pennsylvania copyright records scans.
- For all records since 1978, search the U.S. Copyright Office records.
- See also the Rutgers copyright renewal records for further information.
This author died in 1964, so works by this author are in the public domain in countries and areas where the copyright term is the author's life plus 59 years or less. These works may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors search the renewal databases and ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse
Some or all works by this author are in the public domain in the United States because they were legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) between 1929 and 1977 (inclusive) without a copyright notice.
This author died in 1964, so works by this author are in the public domain in countries and areas where the copyright term is the author's life plus 59 years or less. These works may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse