In Black and White

In Black and White (1891)
by Rudyard Kipling

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This transcription is from an 1891 English edition of a work first published in India in 1888; it contains a facsimile of the cover of the first edition. Of the eight pieces contained in this volume, seven appeared originally in The Week's News during 1888. There, "The Judgement of Dungara" had the title "The Peculiar Embarrassment of Justice Krenk." (from Bibliography of the Works of Rudyard Kipling (1927), by Flora V. Livingston). Original publication information, derived from the same bibliography, is included in the Notes for each story.

3394582In Black and White1891Rudyard Kipling

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FIFTH EDITION.

IN BLACK AND WHITE.

BY

RUDYARD KIPLING.

PUBLISHED BY
Messrs. A. H. WHEELER & CO.
ALLAHABAD

SAMPSON LOW, MARSTON, SEARLE, & RIVINGTON Ld
St. Dunstan's House
FETTER LANE, LONDON, E.C.

page

By the same Author,

⁠In specially designed picture wrapper, price 1/- each.

1. "Soldiers Three."

2. "The Story of the Gadsbys."

3. "In Black and White."

4. "Wee Willie Winkie," and other Stories.

5. "The Phantom 'Rickshaw," and other Eerie Tales.

6. "Under the Deodars."

SAMPSON LOW, MARSTON, SEARLE, & RIVINGTON, Ld.,
Fetter Lane, London, E.C.

page

INTRODUCTION

BY

KADIR BAKSH, KHITMATGAR.

Heavenborn,

Through your favour this is a book written by my Sahib. I know that he wrote it because it was his custom to write far into the night; I greatly desiring to go to my house. But there was no order: therefore it was my fate to sit without the door until the work was accomplished. Then came I and made shut all the papers in the office box, and these papers, by the peculiar operation of Time and owing to the skilful manner in which 'I picked them up from the floor, became such a book as you now see. God alone knows what is written therein, for I am a poor man, and the Sahib is my father and my mother, and I have no concern with his writings until he has left his table and gone to bed.

Nabi Baksh, the clerk, says that it is a book about the black men—common people. This is a manifest lie, for by what road can my Sahib have acquired knowledge of the common people? Have I not, for several years, been perpetually with the Sahib: and throughout that time have I not stood between him and the other servants who would persecute him with complaints or vex him with idle tales about my work? Did I not smite Dunnoo, the groom, only yesterday in the matter of the badness of the harness composition which I had procured? I am the head of the Sahib's household and hold his purse. Without me he does not know where are his rupees or his clean collars. So great is my power over the Sahib and the love that he bears to me! Have I ever told the Sahib about the customs of servants or black men? Am I a fool? I have said "very good talk" upon all occasions. I have cut always smooth his wristbands with scissors, and timely warned him of the passing away of his tobacco that he might not be left smokeless upon a Sunday. More than this I have not done. The Sahib cannot go out to dinner lacking my aid. How then should he know aught that I did not tell him? Certainly Nabi Baksh is a liar.

None the less this is a book, and the Sahib wrote it, for his name is in it and it is not his washing-book. Now, such is the wisdom of the Sahib-log that, upon opening this thing, they will instantly discover the purport. Yet I would of their favour beg them to observe how correct is the order of the pages, which I have counted, from the first to the last. Thus, One is followed by Two and Two by Three, and so forward to the end of the book. Even as I picked the pages one by one with great trouble from the floor, when the Sahib had gone to bed, so have they been placed: and there is not a fault in the whole account. And this is my work. It was a great burden, but I accomplished it; and if the Sahib gains reputation by that which he has written—and God knows what he is always writing about—I, Kadir Baksh, his servant, also have a claim to honour.

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CONTENTS.

page
Dray Wara Yow Dee, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		7
The Judgment of Dungara, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		17
At Howli Thana, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		26
Gemini, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		31
At Twenty-Two, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		40
In Flood Time, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		51
The Sending of Dana Da, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		61
On the City Wall, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		71
The Dedication Not part of original table of contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		95

Layout 2

This work is in the public domain in the United States because it was published before January 1, 1929.

The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

Public domainPublic domainfalsefalse

In Black and White

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