Letitia Elizabeth Landon (L. E. L.) in Fisher's Drawing Room Scrap Book, 1836/Scenes in London:—Piccadilly

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Letitia Elizabeth Landon (L. E. L.) in Fisher's Drawing Room Scrap Book, 1836 (1835)
by Letitia Elizabeth Landon
Scenes in London:—Piccadilly
2375447Letitia Elizabeth Landon (L. E. L.) in Fisher's Drawing Room Scrap Book, 1836 — Scenes in London:—Piccadilly1835Letitia Elizabeth Landon

12



SCENES IN LONDON:—PICCADILLY.


The sun is on the crowded street,
    It kindles those old towers;
Where England’s noblest memories meet,
    Of old historic hours.

Vast, shadowy, dark, and indistinct,
    Tradition’s giant fane,
Whereto a thousand years are linked,
    In one electric chain.

So stands it when the morning light
    First steals upon the skies;
And shadow’d by the fallen night,
    The sleeping city lies.

It stands with darkness round it cast,
    Touched by the first cold shine;
Vast, vague, and mighty as the past,
    Of which it is the shrine.

’Tis lovely when the moonlight falls
    Around the sculptured stone
Giving a softness to the walls,
    Like love that mourns the gone.

Then comes the gentlest influence
    The human heart can know,
The mourning over those gone hence
    To the still dust below.

The smoke, the noise, the dust of day,
    Have vanished from the scene;
The pale lamps gleam with spirit ray
    O'er the park's sweeping green.

Sad shining on her lonely path,
    The moon’s calm smile above,
Seems as it lulled life’s toil and wrath
    With universal love.


Past that still hour, and its pale moon,
    The city is alive;
It is the busy hour of noon,
    When man must seek and strive.

The pressure of our actual life
    Is on the waking brow;
Labour and care, endurance, strife,
    These are around him now.

How wonderful the common street,
    Its tumult and its throng,
The hurrying of the thousand feet
    That bear life's cares along.

How strongly is the present felt,
    With such a scene beside;
All sounds in one vast murmur melt
    The thunder of the tide.

All hurry on—none pause to look
    Upon another’s face:
The present is an open book
    None read, yet all must trace.

The poor man hurries on his race,
    His daily bread to find;
The rich man has yet wearier chase,
    For pleasure’s hard to bind.

All hurry, though it is to pass
    For which they live so fast—
What doth the present but amass,
    The wealth that makes the past.

The past is round us—those old spires
    That glimmer o’er our head;
Not from the present is their fires,
    Their light is from the dead.

But for the past, the present’s powers
    Were waste of toil and mind;
But for those long and glorious hours
    Which leave themselves behind.