Max Headroom signal hijacking of WTTW

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Max Headroom signal hijacking of WTTW  (1987) 
Anonymous

The Max Headroom signal hijacking occurred on the night of November 22, 1987, when the television broadcasts of two stations in Chicago, Illinois were hijacked in an act of broadcast piracy by a video of an unidentified person wearing a Max Headroom mask and costume, accompanied by distorted audio and a corrugated iron panel swiveling in the background to mimic Max Headroom's geometric background effect. This is a transcription of the second hijacking, which occurred at about 11:20 pm that night, when the signal of local PBS station WTTW was interrupted during an airing of the Doctor Who serial Horror of Fang Rock. The first hijacking video had no dialogue.

Key (info)
Dialogue
In scene
Storyline
Video Camera Icon.svg The following is a transcription of a film. The contents below represent text or spoken dialogue that are transcribed directly from the video of the film provided above. On certain screen sizes, each line is represented by a timestamp next to it which shows when the text appears on the video. For more information, see Help:Film.

Max Headroom
Because he's a fricking nerd. Yeah, I think I'm better than Chuck Swirsky. Fricking liberal! Oh, Jesus!

Max Headroom
Catch the wave!

Max Headroom
Your love is fading!

Max Headroom
I still see the X.

Max Headroom
My piles!

Max Headroom
Oh, I just made a giant masterpiece for all the Greatest World Newspaper nerds!

Max Headroom
My brother is wearing the other one, but it's dirty!

Max Headroom
Oh, no, they're coming to get me!

Woman
Bend over, bitch!

Max Headroom
Ahh! Oh, make it stop!


This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) between 1978 and March 1, 1989 (inclusive) without a copyright notice, and without subsequent copyright registration with the U.S. Copyright Office within 5 years.


This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.