Page:A Daughter of the Samurai.pdf/161

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LESSONS
135

I could not understand why this miracle-story, filled with lofty symbolism, could be more objectionable than the many fables and fairy tales of personified animals that I had read in English literature. But, after much pondering, I concluded that thoughts, like the language, on one side of the world are straightforward and literal; and on the other, vague, mystical, and visionary.

At the end of my school life my beloved books were returned to me. I have them now—battered, loose-leafed, and worn—and I still love them.

As time passed on, I learned to like almost everything about my school—even many of the things which at first I had found most trying; but there was one thing which from the very first I had enjoyed with my whole heart. The school building was surrounded by large grounds with tall trees. A small lawn near the principal doorway was well cared for, but beyond was an extensive stretch of weedy grass and untrained shrubbery. There were no stone lanterns, no pond with darting gold-fish, and no curving bridge; just big trees with unbound branches, uncut grass, and—freedom to grow.

At my home there was one part of the garden that was supposed to be wild. The trees were twisted like wind-blown mountain pines; the stepping-stones marked an irregular path across ground covered with pine needles; the fence was of growing cedar peeping between uneven rods of split bamboo, and the gate was of brushwood tied with rough twine. But someone was always busy trimming the pines or cutting the hedge, and every morning Jiya wiped off the stepping-stones and, after sweeping beneath the pine trees, carefully scattered fresh pine needles gathered from the forest. There the wildness was only constant repression, but here at the school everything was filled with the uplifting freshness of unrestrained freedom. This I enjoyed with a happiness so