Page:A Dictionary of Music and Musicians vol 4.djvu/965

288a, note; Part-writing, iv. 743a.

Polyphonia, iii. 12a; Additional Accompaniments, i. 32a, etc.; Bach (J. C.), 111a; Bach (J. S.), i. 116a; Harmony, i. 670b, etc.; Homophone, 746a; Mass, ii. 226a; Modes Eccles., ii. 343b; Monodia, ii. 354a; Monteverde, ii. 358a; Motet, ii. 372a, etc.; Motetus, ii. 376b; Mus. Figurata, ii. 415b; Notation, ii. 475a; Opera, ii. 498b, etc.; Oratorio, ii. 540a, etc.; Passing Notes, ii. 663a, etc.; PF.-playing, ii. 737a; Plagal Modes, ii. 762b; Schools of Comp., iii. 259a, etc.; and 288a, note; Sistine Choir, iii. 520a; Song, iii. 631a; Strict Counterpoint, iii. 740a; Subject, iii. 749a; Homophone, iv. 679b; Part-books, iv. 739a; Part-writing, iv. 741a; Vertical & Horizontal, iv. 811b.

Polyschansky; Strauss ( J.), iii. 737a.

Polzelli; Haydn, i. 707b, etc.

Pommer; Bassoon, i. 151b; Oboe, ii. 486a.

Pomponio Nenna. (See Nenna.)

Pomposo, iii. 14a.

Poncelet; Conservatoire, Brussels, i. 592b.

Ponchard; Garat, i. 581b; Mario, ii. 217a; Levasseur (N. P.), iv. 700a.

Ponchielli, A., iii. 14a; iv. 750a; Schools of Comp., iii. 301b.

Poniatowski, J. M., iii. 14b.

Pons, J., iii. 14b; Eslava, i. 495a.

Ponsicchi, C.; Hist. of Mus., iv. 676a.

Pontac, D.; Eslava, i. 494b.

Ponte, J. van; Mus. Lib., iv. 726a; Trésor Mus., iv. 803a.

Ponte, L. da, iii. 15a; Ferrarese del Bene, i. 513a; Mozart, ii. 390b, etc.; Opera, ii. 529b.

Ponticello, iii. 15b; Harmonics, i. 665a; Sul ponticello, iii. 764b.

Pontifical Choir. (See Sistine Choir, iii. 519a.)

Pontio, P.; Schools of Comp., iii. 266a; Burney, iv. 570b.

Poole, E., iii. 15b.

Poole, Miss, iii. 15b. (See Dickons, Mrs., i. 444b.)

Popp, A.; Zeugheer, iv. 507a.

Popper, D., iii. 15b; Violoncello-playing, iv. 301a.

Popper, Mme. (See Menter, Sophie.)

Popular ancient english Music, iii. 16a; iv. 750a; Chappell & Co., i. 339b; Macfarren (G.), ii. 186b.

Pordenoni; Mus. Transalpina, ii. 416a; Mus. Lib., iv. 726a.

Porges, H.; Wagner, iv. 374b.

Porpora, N., iii. 16b; Caffarelli, i. 296a; Farinelli, i. 504a, etc.; Gabrielli (C.), i. 573a; Gazzaniga, i. 586a; Hasse (J. A.), i. 694a, etc.; Haydn, i. 704a; Ifigenia, i. 765b; Klavier-Mus. Alte, ii. 63a; Lincoln's Inn Fields Theatre, ii. 140a; Lotti, ii. 167b; Martines, ii. 221b; Metastasio, ii. 316a; Mingotti, ii. 332a; Montagnana, ii. 356b; Mus. Lib., ii. 420a; Naples, ii. 445a; Opera, ii. 513b; Oratorio, ii. 549b; Paradies, ii. 647b; Pract. Harmony, iii. 24a; Scarlatti (A.), iii. 239a; Schools of Comp., iii. 287a; Semiramide, iii. 461a; Senesino, iii. 462b; Singing, iii. 505a; Solfeggio, iii. 547b; Trésor des Pianistes, iv. 168a; Vinci, iv. 266a; Mus. Lib., iv. 726a; Venice, iv. 809a.

Porporino; Frederick the Great, i. 562a; Mara, ii. 209a.

Porsile; Metastasio, ii. 316b.

Porta, C., iv. 750a; Hawkins, i. 700b; Madrigal, ii. 190b; Merulo, ii. 314b; Milan, ii. 329a; Mus. Divina, ii. 411b; Oriana, ii. 611b; Schools of Comp., iii. 266a; Burney, iv. 571a.

Porta, F. della, iii. 18b; Motett Soc., ii. 376b; Saggio di Contrappunto, iii. 212a.

Porta, G.; Académie de Mus., i. 9a; Bioni (A.), i. 243b; Lotti, ii. 167b; Mus. Lib., iv. 726a.

Portalupis, F. di; Spinet, iii. 652a.

Portamento, iii. 18b; Agrémens, i. 43a, note; Appoggiatura, i. 75a; Slur, iii. 537a; Solfeggio, iii. 547a.

Portative; Organ, ii. 575b; Virdung, iv. 303b.

Porte de Voix; Agrémens, i. 43a, note; Portamento, iii. 18b.

Portée; Stave, iii. 691b.

Portenari, F.; Padua, ii. 627b; Mus. Lib., iv. 726a.

Portense, Florilegium, iii. 18b. (See Bodenschatz, i. 253a.)

Porter, S., iii. 18b; Goodban (T.), i. 609b.

Porter, W. J., iii. 19a.

Porter, W., iii. 19a.

Portevin, J.; Roi des Violons, iii. 146a.

Portinaro. (See Portenari.)

Portman, R., iii. 19a; Mus. Lib., ii. 418b; Tudway, iv. 198b.

Portmann, J. G., iii. 19a.

Portogallo, iii. 19b; iv. 751a; Catalani, i. 321a; Simao, iii. 495a.

Posaune, iii. 20a; Organ, ii. 584a; Sackbut, iii. 209a; Trombone, iv. 176a.

Poschwa; Haydn, i. 706a.

Position; Trombone, iv. 177a.

Positions, iii. 20a; Shift, iii. 487b; Tartini, iv. 61a.

Positive Organ, iii. 21b; Organ, ii. 575b and 588b; Virdung, iv. 303b.

Postans, Miss. (See Shaw, A., iii. 485a.)

Posthorn, iii. 21b.

Posthumous, iii. 22a.

Postillon de Longjumeau, Le, iii. 22a; Adam, i. 27b.

Postillons, iii. 22a; Posthorn, iii. 22a.

Postlude, iii. 22a; Nachspiel, ii. 442a.

Potentini; Strakosch, iii. 734b.

Pothier, Père, J.; Hist of Mus., iv. 676b.

Potier; Conservatoire, i. 393a.

Potoçki, Ig.; Song, iv. 795a.

Pot-Pourri, iii. 22b; Divertimento, i. 451a.

Pott, A., iii. 22b; iv. 751a; Philh. Soc., ii. 699b; Spohr, iii. 663b.

Potter, P. Cipriani, iii. 22b; iv. 751a; Bach Soc., i. 120a; Beethoven, i. 194b; Bennett (Sterndale), i. 225a; Cusins, i. 424b; Holmes (W. H.) i. 744b; Lavenu, ii. 106a; Lucas, ii. 170b; Macfarren (W. C.), ii. 186b; Madrigal Soc., ii. 194a; May (E. C.), ii. 24a; Mudie, ii. 406b; Mus. Lib., ii. 421a; O'Leary, ii. 496b; Pauer, ii. 675a; Philh. Soc., ii. 698b; Phillips (W. L.), ii. 705b; PF. Mus., ii. 728a; PF.-playing, ii. 744; Pinsuti, ii. 753b; Pye, iii 53b; Royal Academy of