represents a human sacrifice. The serpent-priest stands over the body of the victim, which is stretched backwards over a sacrificial stone so as to expose the chest to the knife.
On the south side of the doorway the whole wall-surface is occupied by a battle-scene, where one party, apparently led by the serpent-priest, is attacking a town, while the women, standing on the roofs of the houses, cheer on their defenders and bewail their losses. The arms used are short spears hurled from a throwing-stick (the Mexican atlatl), and all the warriors carry shields, which in some cases are covered with feathered mantles. It is worth noting that although the use of bows and arrows is frequently mentioned by the Spanish writers, the bow is never figured on any of the Maya sculptures, and was probably a late introduction.
At the back of this temple, on the level of the ground, is another chamber which possesses features of great interest. The greater part of the roof had fallen in, carrying portions of the wail with it, and the floor of the chamber was closely packed with the debris to the height of 4 feet. When this was cleared away, we were rewarded by finding intact the lower part of the columns which had supported the doorway, and lying between them a curious altar in the shape of a grotesque tiger. Then we set to work to make paper moulds of the sculptured ornament, representing processions of armed men in quaint ceremonial costumes, which cover the whole of the surface of the interior walls and the four sides of the square columns. The time at our disposal was limited, as the moulding-paper had, for some unknown reason, been delayed in Havana, and when at last it did arrive it was found to be badly damaged with salt water, so that it was difficult to manipulate. The scene of our labours was about three-quarters of a mile from our house and nearly half a mile from the 'cenote, from which all the water had to be carried on men's backs. The heat was terrific, for the ruined chamber formed a sort of shallow cave facing E.S.E., into which the June sun poured its rays until past noon, raising it to the heat of an oven. We could not begin work until three o'clock in the afternoon, and even then the wall was so hot that the damp paper refused to adhere to it, and the precious
