A MOTOR-FLIGHT THROUGH FRANCE
worn gilding, it breaks, at the spring of its portal-arches, into a profusion of serried, overlapping sculpture, which rises tier by tier to the splendid Christ Triumphant of the crowning gable, yet never once crowds out and smothers the structural composition, as Gothic ornament, in its most exuberant phase, was wont to do. Through all its profusion of statuary and ornamental carving, the front of Notre Dame preserves that subordination to classical composition that marks the Romanesque of southern France; but between the arches, in the great spandrils of the doorways, up to the typically Poitevin scales of the beautiful arcaded angle turrets, what richness of detail, what splendid play of fancy!
After such completeness of beauty as this little church presents—for its nave and transept tower are no less admirable than the more striking front—even such other monuments as Poitiers has to offer must suffer slightly by comparison. Saint Hilaire le Grand, that notable eleventh-century church, with its triple aisles and its nave roofed by cupolas, and the lower-lying temple of Sainte Radegonde, which dates from the Merovingian queen from whom it takes its name, have both
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