A FLIGHT TO THE NORTH-EAST
Noyon, a town-hall of more imposing dimensions suggests other architectural affinities. This part of France is close to the Low Countries, and Flemish influences have overflowed the borders. The late Gothic Hôtel de Ville at Saint Quentin, with its elaborately composed façade surmounted by three pointed gables, was completed at a period when, in other parts of France, Renaissance forms were rapidly superseding the earlier style. But here the Gothic lingers, as it did in the Low Countries, in a rich yet sober and sturdy form of civic architecture which suits the moist grey skies, the flat fields, the absence of any abrupt or delicate lines in the landscape. Saint Quentin, a large dull manufacturing town, with a nucleus of picturesque buildings grouped about its town-hall and its deplorably renovated collegiate church, has a tone so distinctively northern and provincial, that its other distinguishing possession—the collection of portraits by the great pastelliste Latour—seems almost as much expatriated as though it were actually beyond the frontier. It is difficult to conceive of the most expert interpreter of the Parisian face as forming his style on physiognomies observed in
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