class that has the "Annals of the Parish" for its commencement. For the encouragement of the drama in Quebec he also wrote a farce, entitled "Visitors; or, a Trip to Quebec," which was acted with great success by an amateur company. Another, which he wrote for New York, to propitiate the Americans, who had taken offence at his "Visitors," was entitled "An Aunt in Virginia," and was afterwards published in Blackwood's Magazine, with the scene transferred from New York to London. He intended to write a third for his own town of Guelph, where his dwelling-house was to be converted into a theatre, and the drama introduced into this infant settlement; but his design was suspended by more urgent demands, and the necessity of his speedy return to England.
This event occurred in 1829, after he had been two years and a half in America. On his return, without a situation, and almost penniless, Galt's creditors became urgent, and he was obliged, in consequence, to avail himself of the Insolvent Debtors' Act. The world was now to be commenced anew; but the elasticity of youth and the ardour of hope were exhausted, and Galt, now at the aqe of fifty, had already done more than most men have achieved at that period. And yet he must continue an author, no longer, however, from choice, but necessity; for of all that he had possessed, nothing but his pen remained. And bravely he girded himself for the task, and published in succession "Lawrie Todd," "Southennan," and the "Life of Lord Byron." They were written with his wonted rapidity, being produced in 1829 and 1830; but the spirit that formerly animated him had become languid, so that these works, excellent though they are, will not stand comparison with his former novels that so highly interested the Scottish public. While he was occupied with the "Life of Lord Byron," a caustic production, in which his lordship meets with somewhat rough entertainment, Galt accepted the editorship of the "Courier," a newspaper of high Tory principles. But however well-adapted in many ways for such an office, it is easy to guess that he could not continue long to hold it, and that the same independence of spirit which wrecked him in Canada, would mar him as the Corypheus of any political party whatever in the journalism of London. "The only kind of scruple that I felt," he says, "if such it may be called, was in thinking the politics of the journal a little too ardent for the spirit of the times; and in consequence, my first object was to render them more suitable to what I apprehended was the wholesome state of opinion, preparatory to introducing occasionally more of disquisition into the articles. . . . Accordingly, without manifesting particular solicitude to make myself remarkable, I began by attempting gradually to alleviate the ultra-toryism of the paper, by explanations of more liberality than the sentiments of any party." By such an honest procedure either the newspaper or the editor must go down; and Galt thus continues his narrative: "I had not been long installed as editor till I perceived that the business would not suit me. In point of emolument it was convenient; but, as I have elsewhere shown, money matters have ever been perhaps too slightly regarded by me, and my resignation, though it partook of that promptitude of enunciation which all my decisions have uniformly manifested, was, however, the result of very solemn reflection. To men who have juster notions of the value of money than I have ever entertained—not from persuasion, but from habit, if not constitutional carelessness—my resignation in such a crisis of fortune will not be easily comprehensible; but to those who think, as the old song sings, that there are things 'which gold can never buy,' no further explanation can be necessary."
