Page:A history of Chinese literature - Giles.djvu/47

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soup, he would offer a little of it in sacrifice with a grave respectful air.

"If his mat was not straight, he did not sit on it.

"The stable being burned down when he was at Court, on his return he said, 'Has any man been hurt?' He did not ask about the horses.

"When a friend sent him a present, though it might be a carriage and horses, he did not bow. The only present for which he bowed was that of the flesh of sacrifice.

"In bed, he did not lie like a corpse. At home, he did not put on any formal deportment.

"When he saw any one in a mourning dress, though it might be an acquaintance, he would change countenance; when he saw any one wearing the cap of full dress, or a blind person, though he might be in his undress, he would salute them in a ceremonious manner.

"When he was at an entertainment where there was an abundance of provisions set before him, he would change countenance and rise up. On a sudden clap of thunder or a violent wind, he would change countenance."

Next in educational order follows the work briefly known as Mencius. This consists of seven books recording the sayings and doings of a man to whose genius and devotion may be traced the final triumph of Confucianism. Born in B.C. 372, a little over a hundred years after the death of the Master, Mencius was brought up under the care of his widowed mother, whose name is a household word even at the present day. As a child he lived with her at first near a cemetery, the result being that he began to reproduce in play the solemn scenes which were constantly enacted before his eyes. His mother accordingly removed to another house near