from its tragic moment, is amazing for its vividness and beauty. Indeed, there are dozens of wonderful pictures of life and death in the story. And no translation, however faithful, can do justice to the quiet humor packed away often in a single word of the staccato muzhik dialect, which no one ever handled more successfully than Count Tolstoï.
The translation has been thoroughly revised and largely rewritten. All passages formerly omitted have been restored, and the occasional temptation to embroider by paraphrase on what the author left purposely simple, plain, and direct, has been resisted.
The Russian words and interjections (which, with the idea of giving local color, were employed in the first edition) have been for the most part eliminated, and the glossary is therefore superfluous. The translator's whole purpose has been to give a faithful presentation of this immortal work.
