Carpenters' Furniture.
or vases of lilies and "pax," angels and incense pots, ciphers and initials, badges and devices, or whatever there be of suggestion and mystery. The panelling and furniture were "green like a curtain," as the old accounts have it; or vermilion and white, like some painted chairs at Knole; or even decorated with paintings and gilt gesso patterns like the Norfolk screens. Fancy a bed with the underside of the canopy having an Annunciation or spreading trellis of roses, and the chamber carved like one in thirteenth-century romance:—
"N'a el monde beste n'oisel
Qui n'i soit ovré à cisel."
If we would know how far we are from the soul of art, we have but to remember that all this, the romance element in design, the joy in life, nature, and colour, which in one past development we call Gothic, and which is ever
