Daumer, GEORG FRIEDRICH, German poet and philosopher, b. at Nuremberg, 5 March, 1800; d. at Würzburg. 14 December, 1875. He was educated at the gymnasium of his native city, at that time directed by the famous philosopher Hegel. In 1817 he entered the University of Erlangen as a student of theology, but abandoned that study for philosophy. For a number of years Daumer was professor at the gymnasium of Nuremberg; owing to ill-health he was pensioned in 1832 and henceforth devoted himself entirely to literary work. While at Erlangen he came strongly under the influence of Pietism. Soon, however, he became sceptical and exhibited decided leanings towards pantheism. From an orthodox Protestant he gradually became a bitter enemy of Christianity, which he attacked in a number of writings and for which he strove to substitute a new religion "of love and peace", formulated in his work "Religion des neuen Weltalters" (Hamburg, 1850). Previous to this he had published a number of works, all of a distinctly anti-theological tendency, of which the more important are: "Philosophie. Religion, und Altertum" (Nuremberg, 1833): "Zuge zu einer neuen Philosophie der Religion und Religionsgeschichte" (Nuremberg, 1835); "Der Feuerund Molochdienst der Hebräer" (Brunswick, 1842); “Die Geheimnisse des christlichen Altertums" (Hamburg, 1847). Shortly after 1850 Daumer left Nuremberg and settled at Frankfort, where a great change soon came over him. In 1858 at Mainz he publicly embraced the Catholic Faith and thenceforth became its zealous defender. Among the works written after his conversion are: "Meine Konversion" Mainz, 1859); "Aus der Mansarde" (1860-62); "Das ('hristentum und sein Urheber" (Mainz, 1864); "Das Wunder, seine Bedeu- tung, Wahrheit und Notwendigkeit" (Ratisbon, 1874). The last mentioned work is directed expressly against the opinions of David Strauss.
Undoubtedly the best part of Daumer's work is his poetry. His "Hafis" (Hamburg, 1846; a second collection, 1852) contains graceful but very free imitations of the songs of the famous Persian poet. In fact, these poems are really original productions, and some of them have become widely known through the musical settings of Brahms. This collection, as well as "Mahomed und sein Werk" (Hamburg, 1848), is distinctly directed against the hypocrisy and asceticism which at that time Daumer believed to be inseparable from orthodox Christianity. Among other poems may be mentioned: "Glorie der heiligen Jungfrau Maria" (Nuremberg, 1841); "Frauenbilder und Huldigungen" (Leipzig, 1853); "Marianische Legenden und Gedichte" (Münster, 1859) and "Schöne Seelen" (Mainz, 1862).
The autobiographical works cited above; BIRKENBIHL, Georg Friedrich Daumer (Aschaffenburg. 1905).
ARTHUR F. J. REMY.
Dauversière, JEROME DE LA. See MONTREAL.
D'Avenant, SIR WILLIAM, poet and dramatist, b. Feb., 1605-6, at Oxford, England; d. in London, 7 April, 1668. He was the second son of John D'Avenant, a prosperous vintner and owner of an inn afterwards known as the Crown Tavern, where Shakespeare frequently stayed. The story which would make William D'Avenant the natural son of Shakespeare seems to have no real foundation, though he may have been the poet's godson. D'Avenant was educated at the grammar school of All Saints. Oxford, and went for a short time to Lincoln College. Then he became page to Frances, Duchess of Richmond, and was afterwards taken into the service of Fulke Greville, Lord Brooke. In 1628 he began writing plays and ten years later succeeded Ben Jonson as Poet Laureate. He took up warmly the side of the king in the Civil War, and was knighted by Charles I in 1643. After the king's defeat, in 1644, he took refuge in France where he became a Catholic. He was employed by Queen Henrietta Maria in her correspondence with the king in England, and was faithful to the royal cause to the end. More than once he was imprisoned and in danger of losing his life, but was finally released in 1651. In 1656 he was instrumental in reviving theatrical performances in England which had ceased since 1641. After the Restoration he was patronized by Charles II and continued, to the end of his life, to write and superintend the production of plays. His poetical work consists of the epic of Gondibert "with other shorter poems (Chalmer, English Poets, London, 1810, vi), together with nearly thirty plays (Edinburgh, 1872-4, 5 vols., edited by Maidment and Logan). "Gondibert" is an unfinished poem in fifteen hundred heroic stanzas. Modern critics find it dull, but it has its place in English literature as marking a stage in the movement towards the so-called classical school of poetry which culminated in Dryden and Pope. D'Avenant's dramas do not rise much above mediocrity, but they are considered "exceptionally decorous and moral" for their time.
Lee in Dict. Nat. Biog., s. v.; Prefatory Memoir to above edition of plays; DOWNES, Roscius Anglicanus, ed. KNIGHT (London, 1886); GILLOW, Bibl. Dict. of Eng. Cath., s. v.
K. M. WARREN.
Davenport, CHRISTOPHER, also known as FRANCISCUS À SANCTA CLARA and sometimes by the alias of FRANCIS HUNT and FRANCIS COVENTRY, theologian, b. 1598, at Coventry, England; d. 31 May, 1680. He was the son of Alderman John Davenport and Elizabeth Wolley, and from the grammar school at Coventry went to Dublin where he spent fifteen months, leaving it 22 Nov., 1611. In 1613 he and his brother John proceeded to Merton College, Oxford, entering as "battelers" and taking Cook's commons; but the warden required them to enter as commoners or to leave the college; whereon in 1614 they migrated to Magdalen Hall. Here Christopher became B. A. on 28 May, his Dublin residence being allowed to count. (Oxford University Register.) John subsequently became a noted Puritan divine and emigrated to New England, where with a band of colonists he founded the city of New Haven, Connecticut (1638). Christopher was converted to Catholicism by a priest living near Oxford and in 1615 went to Douay. Attracted by the efforts to restore the English Franciscan Province, he joined the Flemish Franciscans at Ypres, 7 Oct., 1617. When he was professed (under the name of Franciscus à Sancta Clara) he joined the English Recollects at the newly-established convent of St. Bonaventure at Douay (18 Oct., 1618). He was sent to the University of Salamanca in Spain, where he took his degree in divinity and won reputation as a theologian. Returning to Douay, he became first professor of theology at St. Bonaventure's and filled the office of guardian. At length he was sent to England and was appointed chaplain to Queen Henrietta Maria, in which capacity he attended the Court and became acquainted with King Charles I, Archbishop Laud, Montague, Bishop of Norwich, and Goodman, Bishop of Gloucester. Inspired with the idea of converting England by means of corporate reunion, he wrote a treatise to show that the Thirty-nine Articles were susceptible of an interpretation more in accordance with Catholic teaching than was usually supposed. This was the "Paraphrastica Expositio Articulorum Confessionis Anglicana", published as an appendix to his book, "Deus, Natura, Gratia", in 1634. It offended many Catholics and was put on the Index in Spain, though a condemnation at Rome was averted by Panzani, the pope's nuncio in London. On 19 June, 1637, Davenport was elected provincial of the order, an office to which he was subsequently re-elected, 10 July, 1650, and 4 June, 1665. After the Restoration he was appointed chaplain to Queen Catharine of Braganza, and returned to London,
