the Hotel’ and what is called a monopolylogue. Her Nelly O'Neil in Buckstone's ‘Green Bushes,’ 27 Jan. 1845, and her Starlight Bess in his ‘Flowers of the Forest,’ 11 March 1847, raised her reputation to its height. A few years later she returned to the Haymarket, where she played Nan in ‘Good for Nothing,’ Margery in the ‘Rough Diamond,’ and Dorinne in a version of ‘Tartuffe.’ At this house she continued to act until the Saturday before her death. On Monday, 11 Sept. 1854, she was seized with cholera, and died at six that evening. She was buried on the Thursday following at Kensal Green. She was a good actress of the Mrs. Jordan school. Elliston said her Lady Teazle was, on account of the rusticity she displayed, the best he had seen. She was unequalled in country girls, Irish peasants, &c. Her acting had much sweetness and womanliness. She had studied singing under Mrs. Bland [q. v.], and her rendering of ballads and of bravura songs, which she sang with John Reeve, was excellent. A French chanson, ‘Portrait Charmant,’ which she sang in Dibdin's ‘Harlequin Hoax,’ enjoyed extreme popularity. She had also great imitative faculty. She was light-complexioned, with blue eyes, and was below the middle height. She left two children—a son, a musical composer, Edward Francis [q. v.], and a daughter, Kathleen, who attained some reputation as an actress. Her brother was also on the stage. Had she lived she would within a month have married Buckstone.
[Genest's Account of the English Stage; Biography of the British Stage, 1824; Oxberry's Dramatic Biography, vol. i.; Cole's Life and Times of Charles Kean; Tallis's Drawing-Room Table-Book; Era Almanack; Era newspaper, 17 Nov. 1854; Dramatical and Musical Review; Theatrical Times; works cited.]
FITZWILLIAM, JOHN, D.D. (d. 1699), nonjuring divine, was educated at Magdalen College, Oxford, where he entered as a servitor in 1651, and was elected to a demyship in the same year. At the Restoration, according to Anthony à Wood, ‘he turned about and became a great complier to the restored liturgy.’ But Fitzwilliam himself appeals to ‘the zeal I had for the present government even while it was merely to be enjoyed in hopes, and we could only wish it might be restored’ (sermon preached in 1683). In 1661 he was elected fellow of Magdalen, and held his fellowship until 1670. He was made librarian of the college in 1662, being at the same time university lecturer on music. His first patron was Dr. George Morley, afterwards bishop of Winchester, who recommended him to the lord treasurer, Thomas Wriothesley, the virtuous earl of Southampton, in 1664, in whose family he resided as chaplain, and instructed Lady Rachel Wriothesley and her sisters. On the death of the Earl of Southampton Bishop Morley ‘took him into his own household,’ and on ‘his dismission from his service with a fair reward’ recommended him in 1666 as chaplain to the Duke of York, afterwards James II, to whose daughter, the Princess Anne, he became tutor. In 1669 he was appointed by Bishop Morley to the living of Brightstone in the Isle of Wight, on the resignation of Dr. Thomas Ken, who was collated to the living of Woodhay. He was afterwards presented by his friend, Bishop Turner of Ely, to the living of Cottenham, near Cambridge, and promoted by the crown to a canonry at Windsor in 1688. He was a friend both of Thomas Ken and of his brother-in-law, Izaak Walton, who sent him presentation copies of all his works. He was also on terms of intimacy with John Kettlewell. He attended, with Ken, Bishop Morley's deathbed in 1684. At the revolution he resigned his preferments, because his conscience forbad him to take the oaths of allegiance to the new dynasty. In January 1690–1691 he appeared as a witness at the trial of John Ashton [q. v.], executed for a Jacobite conspiracy. It was reported that Ashton was a Roman catholic, and Fitzwilliam testified that ‘he had received the sacrament of the Lord's supper only six months before in Ely Chapel’—that is, in the chapel at Ely House, Hatton Garden, the Bishop of Ely's London residence, which was a great resort of the nonjurors until Bishop Turner was deprived. Fitzwilliam appears to have been a regular attendant at these services, for he admits that ‘he had been a hundred times at prayers in their altered state,’ that is, when the names of King William and Queen Mary were omitted. He professed his willingness to submit peaceably, though he would not take the oaths. His correspondence with Lady Russell consists of fifty-seven letters which she wrote to him, and four or five which he wrote to her. Thomas Selwood, who edited the first edition of Lady Russell's letters in 1773, says: ‘All the letters to Dr. Fitzwilliam were by him returned in one packet to her ladyship, with his desire they might be printed for the benefit of the public.’ The correspondence indicates the greatest veneration on the part of Lady Russell for her old instructor, and a pastoral, almost a parental, solicitude on his part for his old pupil. Lady Russell consults him on the appointment of a chaplain, the education of her children, the marriage of her daughter, and, above all, her own griefs upon the execution of Lord William Russell, whom
