Page:Dictionary of National Biography volume 22.djvu/313

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His pension was paid, together with a gift of 50l. from Harley. He died on 3 Nov. 1711. He was attended in his last illness by Smalridge, who has left an ample testimony to his piety and morality. He wished upon his deathbed that it should be known that he died in the faith and communion of the church of England. Possibly he inclined to nonjuring views, but he esteemed the church of England more than any other part of the catholic church. It is said he proposed a plan for the introduction of episcopacy into Prussia, and the adoption of a liturgy after the English model. He was buried, as Hearne mentions in his diary, 12 Nov. 1711, in the church of St. Pancras, not, as is generally stated, in Westminster Abbey, where Harley afterwards erected a cenotaph.

He left a great mass of manuscripts, which he bequeathed to Dr. Hickes for life, and afterwards to Dr. Smalridge,. Two posthumous pieces may be mentioned: 1. ‘Liturgia Græca ad normam liturgiarum,’ &c., and published by Pfaff at the end of ‘Irenæi fragmenta anecdota,’ at the Hague in 1715; and 2. ‘De forma Consecrationis Eucharistiæ,’ a defence of the Greek church against that of Rome, London, 1721.

Grabe was unquestionably a learned man, and, according to Nelson's account, of a most estimable and amiable disposition.

[Nelson's Life of Bull; Hearne's Collections (ed. Doble for Oxf. Hist. Soc.), i. ii. iii.; Biog. Brit.]

R. H-r.

GRACE, JAMES (d. 1539?), transcriber and reputed author of 'The Annals of Ire-land.' [See under Pembridge, Christopher.]

GRACE, Mrs. MARY (d. 1786?), painter, was the daughter of a shoemaker named Hodgkiss. She had a natural gift for art, and without any instruction attained some proficiency as a portrait-painter, and also considerable employment as a copyist. In 1762 as Mrs. Grace she exhibited with the Incorporated Society of Artists, sending a portrait of herself, a whole length of a young lady, ‘A Ballad-singer,’ and ‘An Old Woman's Head.’ In 1763 she exhibited again, sending among other pictures a portrait of Mr. Grace. She continued to exhibit up to 1769, sending in 1765 ‘The Death of Sigismunda,’ and in 1767 ‘Antigonus, Seleucus, and Stratonice.’ About 1769 she appears to have lost her husband, and retired from practice to Homerton, where she is said to have died at an advanced age in 1786. Her own portrait was engraved and published in 1785. A portrait by her of the Rev. Thomas Bradbury was engraved in mezzotint by J. Faber in 1749, and again by J. Spilsbury.

[Redgrave's Dict. of Artists; Graves's Dict. of Artists, 1760–1880; Edwards's Anecdotes of Painters; Catalogues of the Society of Artists (Anderdon bequest, print room, Brit. Mus.)]

L. C.

GRACE, RICHARD (1620?–1691), governor of Athlone, a younger son of Robert Grace, baron of Courtstown in the county of Kilkenny, and a lineal descendant of Raymond le Gros, one of the first Anglo-Norman settlers in Ireland [see Fizgerald, Raymond], was born about 1620. Being commended to the notice of Charles I by the Earl of Ormonde, to whom he was allied, he served in England during the civil wars on the royalist side, till the surrender of Oxford in 1646, when he returned to Ireland, where the influence of his family placed him at the head of a considerable body of men, whereby he was enabled to perform good service at Birr (now Parsonstown in King's County) and elsewhere. After the overthrow of the royalist party and the formation of a national party pure and simple, he found free scope for the exercise of his abilities in guerilla warfare. His activity, boldness, and popularity with the Irish rendered him one of the chief obstacles in the way of a settlement of the island by the officers of the Commonwealth. Notwithstanding the evident hopelessness of the struggle, and the demoralising effect of the submission of Colonel Fitzpatrick in 1651, he continued to defy every effort made to capture him, and occasionally succeeded in inflicting a severe blow on the outlying forces of the parliament. In May 1652 a sum of 300l. was offered for his head. But on 21 June the Irish government had the satisfaction of reporting ‘that Colonel Grace and his party (who were forced out of the fastnesses in the King's and Queen's counties by the forces under Colonel Hewson, Colonel Axtell, and Colonel Sankey) being got over the Shannon to Portumna, where they burnt the town and intended to force the castle; and that Colonel Ingoldsby, with five hundred horse and dragoons, marched towards them, and at Loughrea fell upon them, totally routed their horse and surrounded their foot in a bog’ (Commonwealth Papers, P. R. O., Dublin, A/90, p. 169). He was offered terms more honourable than those obtained at Kilkenny by the other Leinster commanders, and capitulated to Colonel Sankey on 14 Aug. (Aphorismical Discovery, iii. 130). He was allowed to transport himself and his adherents, numbering between ten and twelve hundred men, into Spain; but his estates in the King's County were confiscated and granted to one John Vaughan. On his arrival in Spain ‘the Spaniards wholly broke the capitulation they had made with