His son, Thomas Hill, M.A. (d. 1720), was a nonconformist tutor of some celebrity, who conducted an academy for training ministers at Derby (before 1714), at Hartshorn, and at Findern, Derbyshire, and died on 2 March 1720. He published, for the use of his pupils (who were to sing them) a selection of psalms in Latin and Greek verse, with title ‘Celleberrimi viri G. Buchanani Paraphrasis Poetica in Psalmos,’ &c., 1715, 12mo; the British Museum copy belonged to his most famous pupil, John Taylor, D.D., the hebraist.
[Calamy's Account, 1713, pp. 855 sq.; Calamy's Continuation, 1727, ii. 745 sq.; Walker's Sufferings of the Clergy, 1714, ii. 331; Christian Moderator, 1826, p. 241; Minutes of Wirksworth Classis, in Journal of Derbyshire Archæolog. and Nat. Hist. Soc., January 1880, pp. 164 sq.; extract from Register of Corp. Chr. Coll. Cambr. per the master.]
HILL, THOMAS (1661–1734), portrait-painter, born in 1661, first learned drawing from W. Faithorne the elder [q. v.], the engraver. He painted numerous portraits at the beginning of the eighteenth century, some of which were engraved in mezzotint by J. Smith and others. Among them were George Hooper, bishop of Bath and Wells, Baron de Ginkel, Sir Henry Goodricke, bart., Lady Goodricke, and a group of three children of the Duke of Leeds. He painted three portraits of Humphrey Wanley [q. v.]: one is in the Bodleian Library, Oxford; another, dated 18 Dec. 1711, is in the collection of the Society of Antiquaries, ‘painted in a peculiarly soft and ornamental manner;’ and a third, painted in 1717, is in the National Portrait Gallery. Hill died at Mitcham in 1734.
[Redgrave's Dict. of Artists; Chaloner Smith's British Mezzotinto Portraits; Vertue's MSS. (Brit. Mus. Add. MS. 23068); Scharf's Cat. of Portraits belonging to the Society of Antiquaries, and of the National Portrait Gallery.]
HILL, THOMAS (1760–1840), book-collector and bon-vivant, was born in Lancaster in May 1760, and went at an early age to London, where for many years he carried on an extensive business as a drysalter at Queenhithe. He patronised Bloomfield, whose ‘Farmer's Boy’ he read in manuscript, and recommended to a publisher. Hill was part proprietor of the ‘Monthly Mirror,’ and befriended Kirke White when a contributor to that periodical. Southey refers to him as ‘a lover of English literature who possessed one of the most copious collections of English poetry in existence’ (Life of Kirke White, i. 14). He had a house in Henrietta Street, Covent Garden, and a cottage at Sydenham, where he used to entertain the Kembles, Theodore Hook, Campbell, Dubois, the Hunts, the two Smiths, Barron Field, and many other literary men. These parties were ‘the Sydenham Sundays’ which Mrs. Mathews ‘remembered with retrospective gratification’ (Memoirs of C. Mathews, iii. 627). About 1810, having lost heavily by an unsuccessful speculation in indigo, he retired to second-floor chambers at 2 James Street, Adelphi, where he lived the rest of his long and merry life. Messrs. Longman gave between 3,000l. and 4,000l. for his books. They form the basis of their ‘Bibliotheca Anglo-Poetica,’ 1815, 8vo.
The most life-like picture of Tom Hill is to be found in Hook's ‘Gilbert Gurney,’ where he figures as ‘Hull.’ The scenes in which he appears were read over to him before publication. He was always thought to be the original of Poole's ‘Paul Pry,’ immortalised by Liston, although Poole himself insisted that the character was never intended ‘as the representative of any one individual’ (New Monthly Magazine, xxxi. 280). His familiar peculiarities are also represented in the person of ‘Jack Hobbleday’ of Poole's ‘Little Pedlington.’ Lockhart called him ‘the most innocent and ignorant of all the bibliomaniacs.’ ‘He had no literary tastes and acquirements; his manners were those of his business’ (Cyrus Redding, Fifty Years' Recollections, 1858, ii. 212). But the ‘jovial bachelor, plump and rosy as an abbot’ (Leigh Hunt, Autob. 1850, ii. 17), with his famous ‘Pooh! pooh! I happen to know,’ his ceaseless questionings in a harsh, guttural voice, his boastings, his extensive and distorted knowledge of all the gossip of the day, was spoken of by every one as a very kind-hearted and hospitable man. Even at an advanced age he was unusually young-looking; hence the joke of Rogers, that he was one of the little Hills spoken of as skipping in the Psalms, and the assertion of James Smith that the record of his birth had been destroyed in the fire of London.
He died in the Adelphi on 20 Dec. 1840, in his eighty-first year, leaving to Edward Dubois [q. v.] most of his remaining fortune. His furniture and plate were sold by auction on 23 April 1841 (Catalogue, 1841, 8vo). There is an engraving of him, by Linnell after a miniature, in ‘Bentley's Miscellany,’ 1841, ix. 89. An excellent portrait, by Maclise, was given in the ‘Gallery of Literary Characters’ (Fraser's Mag. 1834, x. 172), with a very ingenious imitation of his style of rapid monologue from the pen of Maginn.
