comedy adapted from Terence's 'Adelphi,' and a farce entitled ' The Conjuror, or the Enchanted Garden,' neither of which was apparently printed or performed, but a correspondence respecting them is given in Foot's life of Arthur Murphy. He wrote fugitive verse of a passable kind, and some specimens will be found in his brother's biography. In 1758 he went to Jamaica, where his uncle owned some property, intending to practise his profession there, but he died soon after his arrival at Kingston on 5 Jan. 1759 (Foot, Life of Arthur Murphy, p. 114). The manuscripts of his two plays were sold at the sale of Arthur Murphy's library.
[The principal source of information is the biography by Foot (4to, 18 11), founded on papers, including portions of an autobiography, left by Murphy. The Garrick Correspondence overflows with letters from him. His stage career is extracted from Genest, who gives a summary of his performances. See also Nichols's Anecdotes; Boswell's Johnson, ed. Hill; Dibdin's Hist. of the Stage; Davies's Dramatic Miscellanies and Life of Garrick; Cumberland's Memoirs; Rogers's Table Talk; Georgian Era; Clark Russell's Representative Actors; Chalmers's Biog. Dict.; Baker's Biographia Dramatica.]
MURPHY, DENIS BROWNELL (d. 1842), miniature-painter, was a native of Dublin. He was a patriot and strong sympathiser with the cause of United Ireland in 1798, but in that year removed for professional reasons to Whitehaven in England with his wife and family. In 1802 they removed to Newcastle-on-Tyne, but in 1803 came to London, settling first at Hanwell. Murphy had considerable practice as a miniature-painter, and was in that capacity attached to the household of Princess Charlotte, being in 1810 appointed painter in ordinary to her royal highness. He copied one or two of Lely's famous ‘Beauties,’ then at Windsor Castle (now at Hampton Court), and by command of the princess completed a series of miniature copies of these, adding some from pictures not at Windsor. Murphy had apartments assigned him at Windsor during the progress of this work, which was from time to time inspected and approved by the royal family. The set was not completed at the time of the princess's death, which put an end to the work and to Murphy's connection with the court. The paintings were sent in to Prince Leopold, with a claim for payment, but to the painter's great disappointment were declined and returned. The set were, however, purchased by a friend, Sir Gerard Noel, and it was suggested that use should be made of them by having them engraved as a series, with illustrative text from the pen of Murphy's daughter, Mrs. Anna Brownell Jameson [q. v.] This work was successfully completed and published in 1833 under the title of ‘The Beauties of the Court of King Charles the Second.’ Murphy occasionally exhibited miniatures in enamel or on ivory at the Royal Academy from 1800 to 1827, but his work did not attain any great distinction. The latter part of his life was very closely connected with that of his more famous daughter, Mrs. Jameson.
Murphy died in March 1842, leaving by his wife, who survived him, five daughters, of whom the eldest, Anna Brownell, married Robert Jameson, and was the well-known writer on art [see Jameson, Anna Brownell]. Of the others, Camilla became Mrs. Sherwin, and died on 28 May 1886, at Brighton, aged 87, and Louisa became Mrs. Bate, while Eliza and Charlotte Alicia died unmarried, the former at Brighton on 31 March 1874 in her seventy-ninth year, the latter at Ealing on 13 June 1876, aged 71.
[Redgrave's Dict. of Artists; Mrs. Macpherson's Memoirs of the Life of Anna Jameson; private information.]
MURPHY or MORPHY, EDWARD or DOMINIC EDWARD (d. 1728), Roman catholic archbishop of Dublin, belonged to a family settled in Carlow county. He was appointed bishop of Kildare and Leighlin on 11 Sept. 1715, on the recommendation of James II, and was consecrated on 18 Dec. by Edmond Byrne, archbishop of Dublin. He was translated to the archiepiscopal see of Dublin by a papal brief dated September in that year. He was consecrated before 5 Jan. 1725, and the dispensation to perform all the archiepiscopal acts without the pallium was demanded in the congregation of 5 April.
On 25 Nov. 1728 he applied for a coadjutor, and he died on 22 Dec. in the same year. His death was announced in the propaganda congregation of 13 Feb. 1729. The historian of Kildare in his dedication to the Rev. Dr. Magee of Stradbally, a descendant of Murphy, speaks of the latter as 'one of the noblest bishops elect that Kildare and Leighlin had just reason to be proud of.'
[O'Byrne's Eccles. Hist. of the Bishops of Kildare and Leighlin, p. 58; W. M. Brady's Episcopal Succession, i. 340, 356; Gams's Series Episcop. Eccles. Hibern. p. 219.]
MURPHY, FRANCIS (1795–1858), first Roman catholic bishop of Adelaide, was born at Navan, county Meath, on 20 May 1795, and received his preparatory education in the diocesan seminary of his native town. In
