Page:Dictionary of National Biography volume 43.djvu/42

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Padrig
36
Pagan

library. He gave 20l. to the College of Physicians. His tomb is in the chapel of St. John's College, and the college possesses a portrait of him in his robes as a doctor.

[Munk's Coll. of Phys. i. 100; Hamey's Bustorum aliquot Reliquiæ, manuscript in library of College of Physicians of London; Sloane MS. 2149, in Brit. Mus.; Clode's Memorials of the Guild of Merchant Taylors, London, 1875; Wilson's History of Merchant Taylors' School, 2 vols. London, 1812 and 1814, in which his poem is printed, p. 602; Wood's Athenæ Oxon.; Foster's Alumni Oxon.]

N. M.


PADRIG (373–463), saint. [See Patrick.]


PADUA, JOHN of (fl. 1542–1549), architect, received two royal grants, in 1544 and in 1549 respectively. In the earlier grant an annual wage or fee of two shillings per day was given to ‘our well-beloved servant Johannes de Padua,’ ‘in consideration of the good and faithful service which [he] has done and intends to do to us in architecture and in other inventions in music.’ The fee was to commence from the feast of Easter in the thirty-fourth year of Henry VIII; and he is further described as ‘Devizer of his majesty's buildings.’ Walpole states that ‘in one of the office books which I have quoted there is a payment to him of 36l. 10s.;’ but this book has not been identified. No documentary evidence of any work to which his name can be attached seems accessible, although it is clear, from the terms of these grants, that both Henry VIII and Edward VI benefited by his skill in architecture as well as in music. Attempts have been made to identify him with Sir John Thynne [q. v.] of Longleat, John Thorpe [q. v.], the leading architect of the Elizabethan period, and Dr. John Caius or Keys (1510–1573) [q. v.] of Cambridge, but the results reached as yet may safely be ignored. Canon J. E. Jackson claimed that Henry VIII's Johannes de Padua was identical either with John Padovani of Verona, a musician (who published several works on mathematics, architecture, &c., between 1563 and 1589), or with Giovanni or John Maria Padovani of Venice, a designer in architecture and musician.

[Rymer's Fœdera, fol. 1713, xv. 34, gives the patent 36 Henry VIII, p. 21, m. 30, and the patent 3 Edward VI, p. 4, n. 21, in xv. 34; Walpole's Anecdotes of Painting, 4to, 1762; Jackson, in Wiltshire Archæological and Natural History Magazine, 1886, vol. xxiii.; Builder, 20 June 1868. Adam Gielgud, in a paper on ‘Cracow,’ mentions the buildings there by ‘a’ or ‘the’ John of Padua; see English Illustrated Magazine, November 1889.]

W. P.-h.


PAGAN, ISOBEL (d. 1821), versifier, a native of New Cumnock, Ayrshire, passed her life mainly in the neighbourhood of Muirkirk in that county. She lived alone, in a hut previously used as a brick-store, and seems to have conducted unchallenged an unlicensed traffic in spirituous liquor. Convivial companions frequently caroused with her in the evenings, and enjoyed her singing and recitation of verses by herself and others. Lame from infancy, she was an exceedingly ungainly woman, and she was misanthropical both from temperament and slighted affections. Offenders dreaded her vituperation. Her quaint character and her undoubted abilities kept her popular, and secured her the means of livelihood. She died on 3 Nov. 1821, probably in her eightieth year, and was buried in Muirkirk churchyard, where an inscribed stone marks her grave.

A ‘Collection of Songs and Poems’ by Isobel Pagan was published in Glasgow about 1805. These uncouth lyrics consist largely of personal tributes and references to sport on the autumn moors, in which the singer delighted. Her name lives, however, because legend credits her with the songs ‘Ca' the Yowes to the Knowes’ and the ‘Crook and Plaid,’ which are not in her volume. Burns, who had the former song taken down in 1787 from the singing of the Rev. Mr. Clunie, seems to have revised and finished it for Johnson's ‘Musical Museum’ (iv. 249, 316, ed. 1853). Cunningham (Songs of Scotland, iii. 276) recklessly attributes it to ‘a gentleman of the name of Pagan,’ of whom there is no trace; Struthers, in ‘Harp of Caledonia,’ gives Isobel Pagan as the author; and the original form of the lyric is presumably hers. If, as seems to be unquestioned, she was capable of the ‘Crook and Plaid’—a simple and dainty pastoral, not to be confounded with H. S. Riddell's song with the same title—she clearly possessed qualities that would have enabled her to compose ‘Ca' the Yowes to the Knowes.’

[Contemporaries of Burns, and the More Recent Poets of Ayrshire; Johnson's Musical Museum; Rogers's Scottish Minstrel.]

T. B.


PAGAN, JAMES (1811–1870), journalist, son of James Pagan and Elizabeth Blackstock, was born on 18 Oct. 1811 at Trailflat, in the parish of Tinwald, near Dumfries, where his father was a bleacher. The family removed to Dumfries shortly after James's birth, and he received a sound education at the academy of that town. On leaving school he was apprenticed as a compositor in the office of the ‘Dumfries Courier,’ and afterwards became a reporter for the paper. He