the academy. He died at Chelsea on 17 Nov. 1862. George Philip Reinagle [q. v.] was his youngest son.
There are by Reinagle in the South Kensington Museum a small oil-painting of ‘Rydal Mountains’ and seven landscapes in water-colours. The Bridgewater and Grosvenor Galleries have each a landscape by him, and there is in the National Gallery of Scotland a fine copy of the ‘Coup de Lance’ by Rubens. Three plates, ‘Richmond,’ ‘Sion House,’ and ‘The Opening of Waterloo Bridge,’ in W. B. Cooke's ‘The Thames,’ were engraved after him by Robert Wallis, and many of the illustrations in Peacock's ‘Polite Repository,’ from 1818 to 1830, were engraved by John Pye from his designs. There is also a view of ‘Haddon Hall,’ engraved by Robert Wallis, in the ‘Bijou’ for 1828, and one of ‘Bothwell Castle,’ engraved by Edward Finden, in Tillotson's ‘Album of Scottish Scenery,’ 1860.
Reinagle wrote the scientific and explanatory notices to Turner's ‘Views in Sussex,’ published in 1819, and the life of Allan Ramsay in Allan Cunningham's ‘Lives of the British Painters.’
[Roget's History of the ‘Old Watercolour’ Society, 1891, i. 212, 277; Sandby's History of the Royal Academy of Arts, 1862, ii. 35; Redgrave's Dictionary of Artists of the English School, 1878; Bryan's Dictionary of Painters and Engravers, ed. Graves and Armstrong, 1886–9, ii. 356; Royal Academy Exhibition Catalogues, 1788–1857; Art Journal, 1848 p. 280, 1863 p. 16.]
REINBALD. [See Regenbald.]
REINHOLD, THOMAS (1690?–1751), singer, reputed to be the son of the archbishop of Dresden, was born in Dresden about 1690. He early showed an aptitude for music, which his family apparently discouraged. But he secretly left Dresden to follow Handel, a friend of his reputed father, to London. There, through Handel's good offices, he came under the protection of Frederick, prince of Wales, who ultimately stood sponsor to his eldest son (see below). In 1731 Reinhold, described as Reynholds, was singing at the Haymarket Theatre. He sang in the first performance of Handel's ‘Arminio’ at Covent Garden on 12 Jan. 1737, and created principal parts in many of Handel's operas and oratorios (Grove, Dict. of Music and Musicians, iii. 103). Reinhold was one of the founders, in 1738, of the Royal Society of Musicians. When vocal music was added to the other attractions of Vauxhall Gardens in 1745, Reinhold was one of the first singers engaged. He died in Chapel Street, Soho, in 1751, and on 20 May Garrick lent his theatre for a benefit performance for his widow and children (cf. London Daily Advertiser).
His son, Charles Frederick Reinhold (1737–1815), bass singer, was born in London in 1737, and became a chorister at St. Paul's and the Chapel Royal. He was brought up by the Royal Society of Musicians, and made his first appearance on the stage as Oberon in Christopher Smith's opera ‘The Fairies’ in 1755. Four years later he began a long career as singer at Marylebone Gardens. He seems to have been an actor as well as a singer, for he appeared at the gardens on 30 Oct. 1769, as Giles in the ‘Maid of the Mill.’ He also sang at many of the Lent oratorios in 1784 and subsequent years, and in 1784 he was one of the principal basses at the Handel commemoration in Westminster Abbey. In the previous year he had been appointed organist of St. George-the-Martyr, Bloomsbury. He retired from public life in 1797, and died in Somers Town on 29 Sept. 1815. He is described as an admirable singer, but a parsimonious man.
[Musical Times, 1877, p. 273; Parke's Musical Memoirs, vol. i. passim, but pp. 249–50 especially; Burney's Hist. of Music, iv. 401; Oulton's Continuation of Victor and Oulton's Histories of the Theatres of London and Dublin. ]
REISEN, CHARLES CHRISTIAN (1680–1725), gem-engraver, born in 1680 in the parish of St. Clement Danes, London, was the eldest son of Christian Reisen, a goldsmith, of Trondhjem in Norway. The elder Reisen, leaving Norway, visited Scotland about 1664, and worked for two years at Aberdeen for a goldsmith named Melvin. In September 1666 he came to London, and began to work as an engraver of seals. He was afterwards confined to the Tower for four years on suspicion of engraving dies for coining, but was discharged without a trial, and died in England about 1700, leaving a widow and several children.
Charles Christian Reisen, who had made rapid progress as a gem and seal engraver under his father's instruction, became the support of the family, being principally employed in cutting crests and arms. He gained little from an introduction to Prince George of Denmark, but attracted the attention of Robert Harley, earl of Oxford, who permitted him to study the antique in his library and museum. In course of time Reisen formed a collection of ‘medals,’ prints, drawings, and books, and was chosen director of Sir Godfrey Kneller's academy. On the trial of Bishop Atterbury, he was examined as an expert as to the impression of a seal. Horace Walpole
