the civilized man fending for himself on a desert island—these have made Defoe’s great work an imperishable part of English literature. Contemporaneously appeared The Dumb Philosopher, or Dickory Cronke, who gains the power of speech at the end of his life and uses it to predict the course of European affairs.
In 1720 came The Life and Adventures of Mr Duncan Campbell. This was not entirely a work of imagination, its hero, the fortune-teller, being a real person. There are amusing passages in the story, but it is too desultory to rank with Defoe’s best. In the same year appeared two wholly or partially fictitious histories, each of which might have made a reputation for any man. The first was the Memoirs of a Cavalier, which Lord Chatham believed to be true history, and which William Lee considers the embodiment at least of authentic private memoirs. The Cavalier was declared at the time to be Andrew Newport, made Lord Newport in 1642. His elder brother was born in 1620 and the Cavalier gives 1608 as the date of his birth, so that the facts do not fit the dates. It is probable that Defoe, with his extensive acquaintance with English history, and his astonishing power of working up details, was fully equal to the task of inventing it. As a model of historical work of a certain kind it is hardly surpassable, and many separate passages—accounts of battles and skirmishes—have never been equalled except by Carlyle. Captain Singleton, the last work of the year, has been unjustly depreciated by most of the commentators. The record of the journey across Africa, with its surprising anticipations of subsequent discoveries, yields in interest to no work of the kind known to us; and the semi-piratical Quaker who accompanies Singleton in his buccaneering expeditions is a most life-like character. There is also a Quaker who plays a very creditable part in Roxana (1724), and Defoe seems to have been well affected to the Friends. In estimating this wonderful productiveness on the part of a man sixty years old, it should be remembered that it was a habit of Defoe’s to keep his work in manuscript sometimes for long periods.
In 1721 nothing of importance was produced, but in the next twelvemonth three capital works appeared. These were The Fortunes and Misfortunes of Moll Flanders, The Journal of the Plague Year, and The History of Colonel Jack. Moll Flanders and The Fortunate Mistress (Roxana), which followed in 1724, have subjects of a rather more than questionable character, but both display the remarkable art with which Defoe handles such subjects. It is not true, as is sometimes said, that the difference between the two is that between gross and polished vice. The real difference is much more one of morals than of manners. Moll is by no means of the lowest class. Notwithstanding the greater degradation into which she falls, and her originally dependent position, she has been well educated, and has consorted with persons of gentle birth. She displays throughout much greater real refinement of feeling than the more high-flying Roxana, and is at any rate flesh and blood, if the flesh be somewhat frail and the blood somewhat hot. Neither of the heroines has any but the rudiments of a moral sense; but Roxana, both in her original transgression and in her subsequent conduct, is actuated merely by avarice and selfishness—vices which are peculiarly offensive in connexion with her other failing, and which make her thoroughly repulsive. The art of both stories is great, and that of the episode of the daughter Susannah in Roxana is consummate; but the transitions of the later plot are less natural than those in Moll Flanders. It is only fair to notice that while the latter, according to Defoe’s more usual practice, is allowed to repent and end happily, Roxana is brought to complete misery; Defoe’s morality, therefore, required more repulsiveness in one case than in the other.
In the Journal of the Plague Year, more usually called, from the title of the second edition, A History of the Plague, the accuracy and apparent veracity of the details is so great that many persons have taken it for an authentic record, while others have contended for the existence of such a record as its basis. But here too the genius of Mrs Veal’s creator must, in the absence of all evidence to the contrary, be allowed sufficient for the task. The History of Colonel Jack is an unequal book. There is hardly in Robinson Crusoe a scene equal, and there is consequently not in English literature a scene superior, to that where the youthful pickpocket first exercises his trade, and then for a time loses his ill-gotten gains. But a great part of the book, especially the latter portion, is dull; and in fact it may be generally remarked of Defoe that the conclusions of his tales are not equal to the beginning, perhaps from the restless indefatigability with which he undertook one work almost before finishing another.
To this period belong his stories of famous criminals, of Jack Sheppard (1724), of Jonathan Wild (1725), of the Highland Rogue i.e. Rob Roy (1723). The pamphlet on the first of these Defoe maintained to be a transcript of a paper which he persuaded Sheppard to give to a friend at his execution.
In 1724 appeared also the first volume of A Tour through the whole Island of Great Britain, which was completed in the two following years. Much of the information in this was derived from personal experience, for Defoe claims to have made many more tours and visits about England than those of which we have record; but the major part must necessarily have been dexterous compilation. In 1725 appeared A New Voyage round the World, apparently entirely due to the author’s own fertile imagination and extensive reading. It is full of his peculiar verisimilitude and has all the interest of Anson’s or Dampier’s voyages, with a charm of style superior even to that of the latter.
In 1726 Defoe published a curious and amusing little pamphlet entitled Everybody’s Business is Nobody’s Business, or Private Abuses Public Grievances, exemplified in the Pride, Insolence, and Exorbitant Wages of our Women-Servants, Footmen, &c. This subject was a favourite one with him, and in the pamphlet he showed the immaturity of his political views by advocating legislative interference in these matters. Towards the end of this same year The Complete English Tradesman, which may be supposed to sum up the experience of his business life, appeared, and its second volume followed two years afterwards. This book has been variously judged. It is generally and traditionally praised, but those who have read it will be more disposed to agree with Charles Lamb, who considers it “of a vile and debasing tendency,” and thinks it “almost impossible to suppose the author in earnest.” The intolerable meanness advocated for the sake of the paltriest gains, the entire ignoring of any pursuit in life except money-getting, and the representation of the whole duty of man as consisting first in the attainment of a competent fortune, and next, when that fortune has been attained, in spending not more than half of it, are certainly repulsive enough. But there are no reasons for thinking the performance ironical or insincere, and it cannot be doubted that Defoe would have been honestly unable even to understand Lamb’s indignation. To 1726 also belongs The Political History of the Devil. This is a curious book, partly explanatory of Defoe’s ideas on morality, and partly belonging to a series of demonological works which he wrote, and of which the chief others are A System of Magic (1726), and An Essay on the History of Apparitions (1728), issued the year before under another title. In all these works his treatment is on the whole rational and sensible; but in The History of the Devil he is somewhat hampered by an insufficiently worked-out theory as to the nature and personal existence of his hero, and the manner in which he handles the subject is an odd and not altogether satisfactory mixture of irony and earnestness. A Plan of English Commerce, containing very enlightened views on export trade, appeared in 1728.
During the years from 1715 to 1728 Defoe had issued pamphlets and minor works too numerous to mention. The only one of them perhaps which requires notice is Religious Courtship (1722), a curious series of dialogues displaying Defoe’s unaffected religiosity, and at the same time the rather meddling intrusiveness with which he applied his religious notions. This was more flagrantly illustrated in one of his latest works, The Treatise Concerning the Use and Abuse of the Marriage Bed (1727), which was originally issued with a much more offensive name, and has been called “an excellent book with an improper title.” The Memoirs of Captain Carleton (1728) were long attributed to Defoe, but the internal evidence is strongly against his authorship. They have been also attributed to Swift, with greater probability
