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BOOK IV.—THREE LOVE PROBLEMS.
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nounced him, you know. And we'll go down and look at the picture. There you are to the life: a deep subtle sort of thinker with his forefinger on the page, while Saint Bonaventure or somebody else, rather fat and florid, is looking up at the Trinity. Everything is symbolical, you know—the higher style of art: I like that up to a certain point, but not too far—it's rather straining to keep up with, you know. But you are at home in that, Casaubon. And your painter's flesh is good—solidity, transparency, everything of that sort. I went into that a great deal at one time. However, I'll go and fetch Ladislaw."
