sitting by the kitchen fire, while Tabby, the servant, moved briskly about, would write their magazines or make their plays.
There was a great deal about politics still in the plays. Mr. Brontë, who took a keen interest in the affairs of the world, always told the children the chief public news of the day, and let them read what newspapers and magazines they could lay hold on. So the little Brontës prattled of the Duke of Wellington when other children still have Jack the Giantkiller for a hero; the Marquis of Douro was their Prince Charming; their Yahoos, the Catholics; their potent evil genii the Liberal Ministry.
"Our plays were established," says Charlotte, the family chronicler, in her history of the year 1829: "'Young Men,' June, 1826; 'Our Fellows,' July, 1827; 'Islanders,' December, 1827. These are our three great plays that are not kept secret. Emily's and my best plays were established the 1st of December, 1827; the others, March, 1828. Best plays mean secret plays; they are very nice ones. All our plays are very strange ones. Their nature I need not write on paper, for I think I shall always remember them. The 'Young Men's' play took its rise from some wooden soldiers Branwell had; 'Our Fellows' from Æsop's Fables; and the 'Islanders' from several events which happened. I will sketch out the origin of our plays more explicitly if I can. First, 'Young Men.' Papa bought Branwell some wooden soldiers at Leeds; when papa came home it was night, and we were in bed, so next morning Branwell came to our door" (the little room over the passage. Anne slept with her aunt) "with a box of soldiers. Emily and I jumped out of bed, and I snatched up one and exclaimed, 'This is the Duke of Wellington! This shall be the Duke.'
