GITHA SOWERBY
RUTHERFORD AND SON
THE women's rights women who claim for their sex the most wonderful things in the way of creative achievement, will find it difficult to explain the fact that until the author of "Rutherford and Son" made her appearance, no country had produced, a single women dramatist of note.
That is the more remarkable because woman has since time immemorial been a leading figure in histrionic art. Rachel, Sarah Bernhardt, Eleanore Duse, and scores of others had few male peers.
It can hardly be that woman is merely a reproducer and not a creator. We have but to recall such creative artists as Charlotte and Emily Bronté, George Sand, George Eliot, Mary Wollstonecraft, Marie Bashkirtshev, Rosa Bonheur, Sophia Kovalevskya and a host of others, to appreciate that woman has been a creative factor in literature, art and science. Not so in the drama, so far the stronghold exclusively of men.
It is therefore an event for a woman to come
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