desultory, on the general character of the literature published in Italy, from the introduction of printing into the country to the end of the century, have suggested some remarks on the kind of books which the early Italian printers found it profitable to produce, and some inferences respecting the taste of the day, and the classes which would be reached by the printing-press. To afford a really satisfactory ground-work for such an inquiry, all known publications should be enumerated (although the briefest titles would serve), and tabulated according to their subjects. Deductions regarding the intellectual aspects of the time might then be made with some confidence, and the apparently dry and unpromising ground-work would admit of rich illustration from the stores of contemporary literary history. Any such fulness of treatment is, of course, as incompatible with the space available in Bibliographica as with the time at the disposal of the writer. Enough, it is hoped, will have been done to show how interesting a detailed analysis of the subject might be made. The Roman and Venetian presses have been chiefly dwelt upon, inasmuch as these two cities, the first in Italy to possess printing-presses, also served to test the opposite systems of reliance upon patronage in high quarters, or upon the free life of a busy and prosperous community. The result is instructive, and has been confirmed by every similar experiment in later times.
In examining the literature of the age, as represented by the contemporary productions of the
