Page:Freud - The interpretation of dreams.djvu/67

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The laws of association which govern the connection of ideas hold true also for the dream pictures; indeed, their domination evinces itself in a purer and stronger expression in the dream than elsewhere. Strümpell62 (p. 70) says: "The dream follows either the laws of undisguised presentations as it seems exclusively or organic stimuli along with such presentations, that is, without being influenced by reflection and reason, aesthetic sense, and moral judgment." The authors whose views I reproduce here conceive the formation of the dream in about the following manner: The sum of sensation stimuli affecting sleep from the various sources, discussed elsewhere, at first awaken in the mind a sum of presentations which represent themselves as hallucinations (according to Wundt, it is more correct to say as illusions, because of their origin from outer and inner stimuli). These unite with one another according to the known laws of association, and, following the same rules, in turn evoke a new series of presentations (pictures). This entire material is then elaborated as well as possible by the still active remnant of the organising and thinking mental faculties (cf. Wundt76 and Weygandt75). But thus far no one has been successful in finding the motive which would decide that the awakening of pictures which do not originate objectively follow this or that law of association.

But it has been repeatedly observed that the associations which connect the dream presentations with one another are of a particular kind, and different from those found in the waking mental activity. Thus Volkelt72 says: "In the dream, the ideas chase and hunt each other on the strength of accidental similarities and barely perceptible connections. All dreams are pervaded by such loose and free associations." Maury48 attaches great value to this characteristic of connection between presentations, which allows him to bring the dream life in closer analogy to certain mental disturbances. He recognises two main characters of the délire: "(1) une action spontanée et comme automatique de l'esprit; (2) une association vicieuse et irregulière des idées" (p. 126). Maury gives us two excellent examples from his own dreams, in which the mere similarity of sound forms the connection of the dream presentations. He dreamed once that he undertook a pilgrimage (pélerinage) to Jerusalem or Mecca. After many