which have no claims to this character. Only those allusions which show a “witty” element are witty, hence the characteristics of wit, which we have followed even into its technique, again escape us.
I have sometimes called allusion “indirect expression,” and now recognize that the different kinds of allusion with representation through the opposite, as well as the techniques still to be mentioned, can be united into a single large group for which “indirect expression” would be the comprehensive name. Hence, errors of thought—unification—indirect representation—are those points of view under which we can group the techniques of thought-wit which became known to us.
Representation Through the Minute or the Minutest Element
On continuing the investigation of our material we think we recognize a new sub-group of indirect representation which though sharply defined can be illustrated only by few examples. It is that of representation through a minute or minutest element; solving the problem by bringing the entire character to full expression through a minute detail. Correlating this group with the mechanism of allusion is made possible
