the condition which underlies all æsthetic thinking, but I know too little about æsthetics to be willing to support this theory. About wit, however, I can assert, on the strength of the two impressions gained before, that it is an activity whose purpose is to derive pleasure—be it intellectual or otherwise—from the psychic processes. To be sure, there are other activities which accomplish the same thing. They may be differentiated from each by the sphere of psychic activity from which they wish to derive pleasure, or perhaps by the methods which they use in accomplishing this. At present we cannot decide this, but we firmly maintain that at last we have established a connection between the technique of wit partly controlled by the tendency to economize (p. 53) and the production of pleasure.
But before we proceed to solve the riddle of how the technical means of wit-work can produce pleasure in the hearer, we wish to mention that, for the sake of simplicity and more lucidity, we have altogether put out of the way all tendency witticisms. Still we must attempt to explain what the tendencies of wit are and in what manner wit makes use of these tendencies.
