and most candid utterances; he positively endows him with the practical wisdom of a Sancho Panza. It is a pity that Heine, as it seems, had no liking for this dramatic figure and that he drops the delightful character so soon. From many passages it would seem that the poet himself is speaking behind the transparent mask of Hirsch-Hyacinth, and we are quite convinced that this person is nothing but a parody of the poet himself. Hirsch tells of reasons why he has discarded his former name and now calls himself Hyacinth. “Besides I have the advantage,” he continues, “of having an H on my seal already, and therefore I am in no need of having a new letter engraved.” But Heine himself resorted to this economy when he changed his surname “Harry” to “Heinrich” at his baptism. Every one acquainted with the life of the poet will recall that in Hamburg, where one also meets the personage Hirsch-Hyacinth, Heine had an uncle of the same name, who played the greatest rôle in Heine’s life as the wealthy member of the family. The uncle’s name was likewise Solomon, just like the elderly Rothschild who treated the impecunious Hirsch on such a famillionaire basis. What seems to be merely a jest in the mouth of Hirsch-Hyacinth soon reveals a background of earnest bitterness when
