as this: the assumption that comic pleasure is derived from the discharge of a difference, which under many conditions can be diverted to a different use than discharge.
It still remains to give a thorough consideration of the comic of the sexual and obscene, but we shall only skim over it with a few observations. Here, too, we shall take the act of exposing one’s body as the starting-point. An accidental exposure produces a comical effect on us, because we compare the ease with which we attained the enjoyment of this view with the great expenditure otherwise necessary for the attainment of this object. The case thus comes nearer to the naïve-comic, but it is simpler than the latter. In every case of exhibitionism in which we are made spectators—or, in the case of the smutty joke hearers,—we play the part of the third person, and the person exposed is made comical. We have heard that it is the purpose of wit to replace obscenity and in this manner to reopen a source of comic pleasure that has been lost. On the contrary, spying out an exposure forms no example of the comic for the one spying, because the effort he exerts thereby abrogates the condition of comic pleasure; the only thing remaining is the sexual pleasure in what is seen.
