Page:Landon in Literary Gazette 1823.pdf/131

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THE PAINTER.
130
Literary Gazette 15th November 1823, Page 730-731


And Guido felt it deeply, for a gift
Like his whose work that was, was given him,—
A gift of beauty and of power,—and soon
He lived but in the exquisite creations
His pencil called to life. But as his thoughts
Took wider range, he languished to behold
More of a world he thought must be so fair,
So filled with glorious shapes. It chanced that he
Whose hand had traced that pale sad loveliness,
Came to the convent; with rejoicing wonder
He marked how like an unknown mine, whose gold
Gathers in silence, had young Guido's mind
Increased in lonely richness; every day
New veins of splendid thought sprang into life.
And Guido left his convent cell with one
Who, like a geni, bore him into scenes
Of marvel and enchantment. And then first
Did Guido feel how very precious praise
Is to young genius, like sunlight on flowers,
Ripening them into fruit. And time pass'd on;—
The lonely and neglected child became
One whom all Rome was proud of, for she gave
At once birth to his fame and to himself.[1]
    There was a melancholy beauty shed
Over his pictures, as the element
In which his genius lived was sorrow. Love
He made most lovely, but yet ever sad;
Passionate partings, such as wring the heart
Till tears are life-blood; meetings, when the cheek
Has lost all hope of health in the long parting;
The grave, with one mourning in solitude:
These made his fame, and were his excellence,—
The painter of deep tears. He had just gained
The summer of his glory and of his days,
When his remembering art was called to give

  1. The Vow of the Peacock version has here:
    'One whom all Rome was proud of, and he dwelt
    There in the sunshine of his spreading fame.'