coaxed to the task of writing Cowper's life, the idea was mooted of helping a deserving artist, by the employment of Blake to engrave the illustrations of the projected quarto. And in the same breath followed the proposal for the artist to come and live at Felpham that, during the book's progress, he might be near 'that highly respected hermit,' as Smith styles the squire; a generous, if hot-headed hermit, who thought to push Blake's fortunes, by introducing him to his numerous well-connected friends. All Hayley's projects were hurried into execution in the very hey-day of conception, or as speedily abandoned. Blake at once fell in with this scheme, encouraged perhaps by the prospect of a patron. And his friend Mr. Butts rejoiced aloud, deeming his protégé's fortune made.
A copy of the Triumphs of Temper (tenth edition), illustrated by Stothard, which had belonged to the poet's son, and was now given to Blake, contains evidence,—in verse of course,—of Hayley's esteem for him. Perhaps the fact can palliate our insertion of rhymes so guiltless of sense otherwise. It is Smith who is answerable for having preserved them:—
Accept, my gentle visionary Blake,
Whose thoughts are fanciful and kindly mild;
Accept, and fondly keep for friendship's sake,
This favoured vision, my poetic child!
Rich in more grace than fancy ever won,
To thy most tender mind this book will be.
For it belonged to my departed son;
So from an angel it descends to thee.
W. H. July, 1800.
After seven productive years in Lambeth, the modest house in Hercules Buildings was exchanged for a cottage by the sea, where Blake spent three years; the only portion of his life passed in the country. He was now in his forty-third year, Hayley in his fifty-seventh. In August, Blake went down
