at St. Omer, where he stopped shortly after Mrs. Siddons had been there. She considered her handsome, declared she was trying to imitate French women, but fell very far short of them.
She was induced to return to Drury Lane about the end of 1790, and in April we find Horace Walpole writing to tell Miss Berry that he had supped with Kemble and Mrs. Siddons "t'other night at Miss Farren's, at the bow-window house in Green Street, Grosvenor Square." He pronounces the actress to be "leaner." We can see the party: cynical, sneering Walpole; beautiful Miss Farren, afterwards Countess of Derby, the hostess; Mrs. Siddons, "august" and matronly; and solemn John, who had just made a hit as Othello.
It was the last year of old Drury's existence, and, for her brother's sake, she bore her part bravely, acting when called upon; but she soon flagged, and could only act a few nights. Her reappearance was welcomed with wild enthusiasm; she seemed as popular as ever. One night over four hundred pounds was paid by the public to see her in Mrs. Beverley.
About 1792 or 3 she seems to have taken a house at Nuneham, near the Harcourts—the Rectory, we presume, for we find her writing to Lord Harcourt, devising little comforts for their summer residence at Nuneham, thanking him for his "neighbourly" attention; and one or two letters she writes to John Taylor are dated Nuneham Rectory. One is on the subject of a Life of herself which he wished to undertake; the other refers to her modelling, and an accident which happened to her husband and children.
"I am in no danger of being too much occupied by my 'favorite clay,' for it is not arriv'd—how pro-
