after all, I thought, was the mystery of the extra stateroom.
There was another circumstance, too, which interested me much. During the two wakeful nights in question, and immediately after the disappearance of Mrs. Wyatt into the extra state-room, I was attracted by certain singular, cautious, subdued noises in that of her husband’s. After listening to them for some time with thoughtful attention, I at length succeeded perfectly in translating their import. They were sounds occasioned by the artist in prying open the oblong box by means of a chisel and mallet, the latter being apparently muffled or deadened by some soft woollen or cotton substance in which its head was enveloped.
In this manner I fancied I could distinguish the precise moment when he fairly disengaged the lid — also, that I could determine when he removed it altogether, and when he deposited it upon the lower berth in his room; this latter point I knew, for example, by certain slight taps which the lid made in striking against the wooden edges of the berth as he endeavoured to lay it down very gently, there being no room for it on the floor. After this there was a dead stillness, and I heard nothing more upon either occasion until nearly daybreak; unless, perhaps, I may mention a low sobbing or murmuring sound, so very much suppressed as to be nearly inaudible, if indeed the whole of this latter noise were not rather produced by my own imagination. I say it seemed to resemble sobbing or sighing, but of course it could not have been either. I rather think it was a ringing in my own ears. Mr. Wyatt, no doubt, according to custom, was merely giving the rein to one of his hobbies — indulging in one of his fits of artistic enthusiasm. He had opened his oblong box in order to feast his eyes on the pictorial treasure within. There was nothing in this however, to make him sob. I repeat therefore that it must haVe been simply a freak
