THE NORSE MYTHOLOGY FURNISHES ABUNDANT AND EXCELLENT MATERIAL FOR THE USE OF POETS, SCULPTORS AND PAINTERS.
In a previous chapter it was claimed that the time must come when Norse mythology will be copiously reflected in our elegant literature and is our fine arts; and we insist that we who are Goths, and branches of the noble ash Ygdrasil, ought to develop some fibre, leaves, buds and flowers with nourishment drawn from the roots of our own tree of existence, and not be constantly borrowing from our neighbors. If our poets would but study Norse mythology, they would find in it ample material for the most sublime poetry. The Norse mythology is itself a finished poem, and has been most beautifully presented in the Elder Edda, but it furnishes at the same time a variety of themes that can be combined and elaborated into new poems with all the advantages of modern art, modern civilization and enlightenment. With the spirit of Christianity, a touch of beauty and grandeur can be unconsciously thrown over the loftiness of stature, the growth of muscle, the bold masses of intellectual masonry, the tempestuous strength of passions, those gods and heroes of impetuous natures and gigantic proportions, those overwhelming tragedies of primitive vigor, which are to be found in the Eddas. If our American poet would but pay
