and if you are yourself a man you will wonder why she doesn't freeze stiff when the thermometer falls to the twenty-above mark. Observe her in a ballroom that is overheated in the corners and draughty near the windows, as all ballrooms are. Her neck and her throat, her bosom and arms are bare. Her frock is of the filmiest gossamer stuff; her slippers are paper thin, her stockings the sheerest of textures, yet she doesn't sniff and her nose doesn't turn red and the skin upon her exposed shoulders refuses to goose-flesh. She is the marvel of the ages. She is neither too warm nor too cold; she is just right. Consider now her male companion in his gala attire. One minute he is wringing wet with perspiration; that is when he is dancing. The next minute he is visibly .congealing. That is because he has stopped to catch his breath.
Why this difference between the sexes ? The man is supposed to be the hardier creature of the two, but he can't prove it. Of course there may be something in the theory that when a woman feels herself to be smartly dressed, an exaltation of soul lifts her far above realization of bodily discomfort. But I make so bold as to declare that the real reason why she is comfortable and he is not, lies in the fact that despite all eccentricities of
