me by my father! My pencil gave birth to a family of cripples. So maimed were most of them, that they resembled the mangled corpses on a field of battle, compared with the integrity of living men. These difficulties and disappointments irritated me, but never for a moment destroyed the desire of obtaining perfect representations of nature. The worse my drawings were, the more beautiful did I see the originals. To have been torn from the study would have been as death to me. My time was entirely occupied with it. I produced hundreds of these rude sketches annually; and for a long time, at my request, they made bonfires on the anniversaries of my birth-day.
Patiently, and with industry, did I apply myself to study, for, although I felt the impossibility of giving life to my productions, I did not abandon the idea of representing nature. Many plans were successively adopted, many masters guided my hand. At the age of seventeen, when I returned from France, whither I had gone to receive the rudiments of my education, my drawings had assumed a form. David had guided my hand in tracing objects of large size. Eyes and noses belonging to giants, and heads of horses represented in ancient sculpture, were my models. These, although fit subjects for men intent on pursuing the higher branches of the art, were immediately laid aside by me. I returned to the woods of the New World with fresh ardour, and commenced a collection of drawings, which I henceforth continued, and which is now publishing, under the title of "The Birds of America."
To these Illustrations I shall often refer you, good-natured reader, in the sequel, that you may judge of them yourself. Should you discover any merit in them, happy would the expression of your approbation render me, for I should feel that I