or shell heaps, of Jutland, for which the region is most notable, as described by Steenstrup, abound in stone implements. They all represent man in the neolithic age. Polished stones are as abundant as the rudely hammered ones are rare. From the absence of all the very early stone implements, and from the sudden appearance of others of a far more finished type, the possibility of a gradual evolution of culture about Scandinavia in situ is denied on all hands. The art of working stone has surely been introduced from some more favored region. The only place to look for the source of this culture is to the south.
Tardy in its human occupation and its stone culture, Scandinavia was still more backward, as compared with the rest of Europe, in its transition to the age of bronze. This is all the more remarkable in view of the rich store of raw materials on every hand. Nowhere else in Europe does the pure stone age seem to have been so unduly protracted. A necessary consequence of this was that stone-working reached a higher stage of evolution
 | ||||
| Flint dagger. | Stone Axe. | Bronze Axe. | ||
| (From Montelius, 1895 b.) | (From Montelius, 1895 b.) | (From Montelius, 1895 b.) | ||
here than anywhere else in the world save in America. In other parts of Europe the discovery of metal-working, of course, immediately put an end to all progress in this direction. The ultimate degree of skill to which they attained is represented in the accompanying cuts. The first, a flint poniard, shows the possibilities, both in the line of form and finish, of manufacture by the chipping process. To equal this example one must look to the most skillful of the American
