a few dozen of them to a reception, and in less time than it takes to tell, all of the palace physicians were busily binding ice to his fevered brow. They thought his mind was shattered.
After that experience the Emperor was more careful. He summoned the court artist, one Loh Yang, and said: "Loh Yang, I desire you to paint truthful portraits of all my wives. When the paintings are finished, bring them to me, that I may decide which maid is most beautiful. Her I shall take as my really truly bride."
Now Loh Yang was an artist of ability, and no denying. But he was a scamp and a half. The first portrait he painted was that of Ying Ning, a monstrous ugly maiden. But Ying Ning was quite rich—and liberal. She gladdened Loh Yang's dishonest palm with gold. And he portrayed her as marvelously beautiful. Of all Loh Yang's paintings, the portrait of Ying Ning is most sightly. Yet she was the very ugliest of Wong Sing's many wives.
By and by it came Radiant Blossom's turn
