enormous Uptown with its flashing neon sign. After some consideration he removed most of the bars he had previously constructed. The new Woodland was going to be moral. Extremely moral. Few bars, no billiards, no red light district. And there was an especially fine jail for undesirables.
The most difficult part had been the microscopic lettering on the main office door of the city hall. he had left it until last, and then painted the words with agonizing care:
Vernon R. Haskel
A few last changes. He gave the Edwards a '39 Plymouth instead of a new Cadillac. He added more trees in the downtown district. One more fire department. One less dress shop. He had never liked taxis. On impulse, he removed the taxi stand and put in a flower shop.
Haskel rubbed his hands. Anything more? Or was it complete . . . Perfect . . . He studied each part intently. What had he overlooked?
The high school. He removed it and put in two smaller high schools, one at each end of town. Another hospital. That took almost half an hour.
He was getting tired. His hands were less swift. He mopped his forehead shakily. Anything else? He sat down on his stool wearily, to rest and think.
All done. It was complete. Joy welled up in him. A bursting cry of happiness. His work was over.
"Finished!" Verne Haskel shouted.
He got unsteadily to his feet. He closed his eyes, held his arms out, and advanced toward the plywood table. Reaching, grasping, fingers extended, Haskel headed toward it, a look of radiant exaltation on his seamed, middle-aged face.
Upstairs, Tyler and Madge heard the shout. A distant booming that rolled through the house in waves. Madge winced in terror. "What was that?"
Tyler listened intently. He heard Haskel moving below them, in the basement. Abruptly, he stubbed out his cigarette. "I think it's happened. Sooner than I expected."
"It? You mean he's—"
Tyler got quickly to his feet. "He's gone, Madge. Into his other world. We're finally free."
Madge caught his arm.