"Tole me 'is hown self, not three weeks agone. Camped hat hour rampaddick, shiftin' Stewart's things to Queensland. An' wot war the hupshot? 'Stiddy, now,' ses Hi—'w'e 's y' proofs?' 'Some o' these young pups horter take a lessing horf o' you, Jack,' ses you, jist now. You're right, Collings. Did n' Hi say, las' lambin'—did n' Hi say we war a-gwain ter hev sich anuther year as sixty-hate? Mostly kettle wot we hed then, afore the wool rose; an' wild dogs bein' plentiful them times; an' we'd a sort o' 'ead stock-keeper, name o' Bob Selkirk; an' this feller 'e started f'm 'ere with hate 'underd an' fo'ty sebm 'ead"
"And he would have his work cut out for him," I remarked, in cordial assent. "You've seen some changes on this station, Jack. Well, I must be going."
Leaving the old fellow talking, I threw the reins over Cleopatra's head, and drew the near one a little the tightest. He stood motionless as a statue, and beautiful as a poet's dream.
"Would n't think that horse had a devil in him as big as a bulldog," observed the horse-driver. "Shake the soul-bolt out of a man, s'posen you do stick to him."
"And yet Collins can't ride worth a cuss," contributed Moriarty confidentially. "He's just dropped to this fellow's style. Boss wanted to see him on our Satan, but Collins knew a thundering sight better."
A slight, loose-built lad, with a spur trailing at his right heel, advanced from the group.
"Would you mind lettin' me take the feather-edge off o' this feller?" he asked modestly. "If he slings me, you can git on-to him while he's warm, an' no harm done. I'd like to try that saddle," he added, by way of excuse. "Minds me o' one I got shook, five months ago, with a redheaded galoot I'd bin treatin' like a brother, on account of him bein' fly-blowed, an' the both of us travellin' the same road. Best shape saddle I ever had a leg over, that was. Will I have a try?"
"Not worth while, Jack," I replied. "He might prop a little, certainly; but it's only playfulness." So I swung into the deep seat of the stolen saddle, and lightly touched the lotus-loving Memphian with both spurs.
First, a reeling, dancing, uncertain panorama of buildings, fences, and spectators; then a mechanical response to the surging, jerking, concussive saddle, and a guarded strain on the dragging reins. Also a tranquil cognisance of favourable comment, exchanged by competent judges—no excitement, no admiration, remember; not a trace of new-chum interest, but a certain dignified and judicious approbation, honourable alike to critic and artist. Fools admire, but men of wit approve.
"You see, it's—only playfulness—I remarked indifferently; the words being punctuated by necessity, rather than by choice. Magnificent, but—not war. There's not a—shadow of vice in his com—position. As the poet says:—
This is mere—madness,
And thus awhile the—fit will work—on him.
Anon as patient as the female—dove,
When that her—golden couplets have dis—closed,
His silence will—sit drooping.
