spotted with staring signs, with labels and pictures, with advertisements familiar, colloquial, vulgar; the air was traversed with the tangle of the telegraph, with festoons of bunting, with banners not of war, with inexplicable loops and ropes; the shops, many of them enormous, had heterogeneous fronts, with queer juxtapositions in the articles that peopled them, an incompleteness of array, the stamp of the latest modern ugliness. They had pendent stuffs in the doorways, and flapping tickets outside. Every fifty yards there was a "candy store;" in the intervals was the painted panel of a chiropodist, representing him in his professional attitude. Behind the plates of glass, in the hot interiors, behind the counters, were pale, familiar, delicate, tired faces of women, with polished hair and glazed complexions. Florimond knew their voices; he knew how women would speak when their hair was "treated," as they said in the studios, like that. But the women that passed through the streets were the main spectacle. Florimond had forgotten their extraordinary numerosity, and the impression that they produced of a deluge of petticoats. He could see that they were perfectly at home on the road; they had an air of possession, of perpetual equipment, a look, in the eyes, of always meeting the gaze of crowds, always seeing people pass, noting things in shop-windows, and being on the watch at crossings; many of them evidently passed most of their time in these conditions, and Florimond wondered what sort of intér-