and on the day of departure, when King Ghayur took leave of Kamar al-Zaman, he bestowed on him ten splendid suits of cloth of gold embroidered with stones of price, together with ten riding horses and ten she-camels, and a treasury of money; [1] and he charged him to love and cherish his daughter the Lady Budur. Then the King accompanied them to the farthest limits of his Islands where, going in to his daughter Budur in the litter, he kissed her and strained her to his bosom, weeping and repeating,
"O thou who wooest Severance, easy fare! * For love-embrace belongs to lover-friend: Fare softly! Fortune's nature falsehood is, * And parting shall love's every meeting end."
Then leaving his daughter, he went to her husband and bade him farewell and kissed him; after which he parted from them and, giving the order for the march he returned to his capital with his troops. The Prince and Princess and their suite fared on without stopping through the first day and the second and the third and the fourth, nor did they cease faring for a whole month till they came to a spacious champaign, abounding in pasturage, where they pitched their tents; and they ate and drank and rested, and the Princess Budur lay down to sleep. Presently, Kamar al-Zaman went in to her and found her lying asleep clad in a shift of apricot-coloured silk that showed all and everything; and on her head was a coif of gold-cloth embroidered with pearls and jewels. The breeze raised her shift which laid bare her navel and showed her breasts and displayed a stomach whiter than snow, each one of whose dimples would contain an ounce of benzoin-ointment. [2] At this sight,
- ↑ Arab. "Khaznah"=a thousand purses; now about £5000. It denotes a large sum of money, like the "Badrah," a purse containing 10,000 dirhams of silver (Al-Hariri), or 80,000 (Burckhardt Prov. 380); whereas the "Nisáb" is a moderate sum of money, gen. 20 gold dinars=200 silver dirhams.
- ↑ As The Nights show, Arabs admire slender forms; but the hips and hinder cheeks must be highly developed and the stomach fleshy rather than lean. The reasons are obvious. The Persians who exaggerate everything say e.g. (Husayn Váiz in the Anvár-i-Suhayli):--
How paint her hips and waist ? Who saw
A mountain (Koh) dangling to a straw (káh)?
In Antar his beloved Abla is a tamarisk (T. Orientalis). Others compare with the palm-tree (Solomon), the Cypress (Persian, esp. Hafiz and Firdausi) and the Arák or wild Capparis (Arab.).
