Page:The Bostonians (London & New York, Macmillan & Co., 1886).djvu/110

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know how I can speak the way I do unless I feel; and of course I tell her I do feel, so far as I realise. She seems to be realising all the time; I never saw any one that took so little rest. She says I ought to do something great, and she makes me feel as if I should. She says I ought to have a wide influence, if I can obtain the ear of the public; and I say to her that if I do it will be all her influence.'

Selah Tarrant looked at all this from a higher standpoint than his wife; at least such an altitude on his part was to be inferred from his increased solemnity. He committed himself to no precipitate elation at the idea of his daughter's being taken up by a patroness of movements who happened to have money; he looked at his child only from the point of view of the service she might render to humanity. To keep her ideal pointing in the right direction, to guide and animate her moral life—this was a duty more imperative for a parent so closely identified with revelations and panaceas than seeing that she formed profitable worldly connections. He was 'off,' moreover, so much of the time that he could keep little account of her comings and goings, and he had an air of being but vaguely aware of whom Miss Chancellor, the object now of his wife's perpetual reference, might be. Verena's initial appearance in Boston, as he called her performance at Miss Birdseye's, had been a great success; and this reflection added, as I say, to his habitually sacerdotal expression. He looked like the priest of a religion that was passing through the stage of miracles; he carried his responsibility in the general elongation of his person, of his gestures (his hands were now always in the air, as if he were being photographed in postures), of his words and sentences, as well as in his smile, as noiseless as a patent hinge, and in the folds of his eternal waterproof. He was incapable of giving an off-hand answer or opinion on the simplest occasion, and his tone of high deliberation increased in proportion as the subject was trivial or domestic. If his wife asked him at dinner if the potatoes were good, he replied that they were strikingly fine (he used to speak of the newspaper as 'fine'—he applied this term to objects the most dissimilar), and embarked on a parallel