high the native refinement of her countrywomen, their latent 'adaptability,' their talent for accommodating themselves at a glance to changed conditions; but the way her companion rose with the level of the civilisation that surrounded her, the way she assimilated all delicacies and absorbed all traditions, left this friendly theory halting behind. The winter days were still, indoors, in Charles Street, and the winter nights secure from interruption. Our two young women had plenty of duties, but Olive had never favoured the custom of running in and out. Much conference on social and reformatory topics went forward under her roof, and she received her colleagues—she belonged to twenty associations and committees—only at preappointed hours, which she expected them to observe rigidly. Verena's share in these proceedings was not active; she hovered over them, smiling, listening, dropping occasionally a fanciful though never an idle word, like some gently animated image placed there for good omen. It was understood that her part was before the scenes, not behind; that she was not a prompter, but (potentially, at least) a 'popular favourite,' and that the work over which Miss Chancellor presided so efficiently was a general preparation of the platform on which, later, her companion would execute the most striking steps.
The western windows of Olive's drawing-room, looking over the water, took in the red sunsets of winter; the long, low bridge that crawled, on its staggering posts, across the Charles; the casual patches of ice and snow; the desolate suburban horizons, peeled and made bald by the rigour of the season; the general hard, cold void of the prospect; the extrusion, at Charlestown, at Cambridge, of a few chimneys and steeples, straight, sordid tubes of factories and engine-shops, or spare, heavenward finger of the New England meeting-house. There was something inexorable in the poverty of the scene, shameful in the meanness of its details, which gave a collective impression of boards and tin and frozen earth, sheds and rotting piles, railway-lines striding flat across a thoroughfare of puddles, and tracks of the humbler, the universal horse-car, traversing obliquely this path of danger; loose fences, vacant lots,