Page:The Bostonians (London & New York, Macmillan & Co., 1886).djvu/439

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definite plan; he had mainly wanted to get inside of the building, so that, on a view of the field, he might make up his mind. He had never been in the Music Hall before, and its lofty vaults and rows of overhanging balconies made it to his imagination immense and impressive. There were two or three moments during which he felt as he could imagine a young man to feel who, waiting in a public place, has made up his mind, for reasons of his own, to discharge a pistol at the king or the president.

The place struck him with a kind of Roman vastness; the doors which opened out of the upper balconies, high aloft, and which were constantly swinging to and fro with the passage of spectators and ushers, reminded him of the vomitoria that he had read about in descriptions of the Colosseum. The huge organ, the background of the stage—a stage occupied with tiers of seats for choruses and civic worthies—lifted to the dome its shining pipes and sculptured pinnacles, and some genius of music or oratory erected himself in monumental bronze at the base. The hall was so capacious and serious, and the audience increased so rapidly without filling it, giving Ransom a sense of the numbers it would contain when it was packed, that the courage of the two young women, face to face with so tremendous an ordeal, hovered before him as really sublime, especially the conscious tension of poor Olive, who would have been spared none of the anxieties and tremors, none of the previsions of accident or calculations of failure. In the front of the stage was a slim, high desk, like a music-stand, with a cover of red velvet, and near it was a light ornamental chair, on which he was sure Verena would not seat herself, though he could fancy her leaning at moments on the back. Behind this was a kind of semicircle of a dozen arm-chairs, which had evidently been arranged for the friends of the speaker, her sponsors and patrons. The hall was more and more full of premonitory sounds; people making a noise as they unfolded, on hinges, their seats, and itinerant boys, whose voices as they cried out 'Photographs of Miss Tarrant—sketch of her life!' or 'Portraits of the Speaker—story of her career!' sounded small and piping in the general immensity. Before Ransom was aware of it