building of new, and the redecoration of old, churches, there was a demand for glass, tiles, altar-cloths, and every sort of furnishing, which was but feebly met by the established producers of upholsterer's Gothic. Through the architects Street and Bodley the newly-formed company had at once work of this sort put in their hands. The Rev. A.H. Mackonochie, curate-in-charge of St. Alban's, Holborn, whose name became so notorious a few years later in connexion with questions of the mixed chalice and altar lights, was one of the firm's earliest customers. St. Alban's was being built in 1862, and after its consecration in February, 1863, much remained to be done to it in the way of decoration. But their first commissions, and the principal pieces of their first year's business, were for the decoration of two new churches which were being built by Bodley, those of St. Martin's, Scarborough, and St. Michael's, Brighton. In the latter, the chancel-roof was painted by Morris, Webb, and Faulkner, with their own hands: and the windows were executed from designs by Madox Brown and Burne-Jones.
This typical instance of co-operation shows obvious reasons for the inclusion in the firm of the five members named. As for Rossetti, he contributed a few designs for both glass and tiles; but if asked why he had become a partner in a manufacturing firm, he might have, with some truth, given the reply, Quia nominor leo: he was looked up to by the younger men as their master mind, and they would hardly have thought of starting any new scheme without him. The seventh member of the company, Mr. Peter Paul Marshall, was a friend of Madox Brown's, by profession a surveyor and sanitary engineer at Tottenham. He contributed several cartoons for glass, and a few designs for furniture and church decoration, but otherwise took
