character was inserted with no great honour to the writer's gratitude.
He published from time to time (between 1736 and 1740) Imitations of different poems of Horace, generally with his name, and once, was as suspected, without it. What he was upon moral principles ashamed to own, he ought to have suppressed. Of these pieces it is useless to settle the dates, as they had seldom much relation to the times, and perhaps had been long in his hands.
This mode of imitation, in which the ancients are familiarised, by adapting their sentiments to modern topicks, by making Horace say of Shakspeare what he originally said of Ennius, and accommodating his satires on Pantolabus and Nomentanus to the flatterers and prodigals of our own time, was first practised in the reign of Charles the Second by Oldham and Rochester, at least I remember no instances more ancient. It is a kind of middle composition between translation and original design, which pleases when the thoughts are unexpectedly applicable, and the parallels lucky. It seems to have been Pope's favourite amusement; for he has carried it further than any former poet.
