If the Letters of Pope are considered merely as compositions, they seem to be premeditated and artificial. It is one thing to write, because there is something which the mind wishes to discharge; and another, to solicit the imagination, because ceremony or vanity requires something to be written. Pope confesses his early Letters to be vitiated with affectation and ambition: to know whether he disentangled himself from these perverters of epistolary integrity, his book and his life must be set in comparison.
One of his favourite topicks is contempt of his own poetry. For this, if it had been real, he would deserve no commendation; and in this he was certainly not sincere, for his high value of himself was sufficiently observed; and of what could he be proud but of his poetry: He writes, he says, when "he has just nothing else to do;" yet Swift complains that he was never at leisure for conversation, because he "had always some poetical scheme in his head." It was punctually required that his writing-box should be set upon his bed before he rose; and Lord Oxford's domestick related, that, in the dreadful winter of Forty, she was called from her bed by him
