taken a Liberty which was not agreeable to Britannia in any Season."
He was soon after employed, in conjunction with Mr. Mallet, to write the masque of "Alfred," which was acted before the Prince at Cliefden-house.
His next work (1745) was "Tancred and Sigismunda," the most successful of all his tragedies; for it still keeps its turn upon the stage. It may be doubted whether he was, either by the bent of nature or habits of study, much qualified for tragedy. It does not appear that he had much sense of the pathetick; and his diffusive and descriptive style produced declamation rather than dialogue.
His friend Mr. Lyttelton was now in power, and conferred upon him the office of surveyor-general of the Leeward Islands; from which, when his deputy was paid, he received about three hundred pounds a year.
The last piece that he lived to publish was the "Castle of Indolence," which was many years under his hand, but was at last finished with great accuracy. The first canto opens a scene of lazy luxury, that fills the imagination. He was now at ease, but was not long to enjoy it; for, by taking cold on the water be-
